Browsing: Cinema

Indian cinema is so much more than Bollywood, encompassing regional and independent cinema. What would you ask 28 of the top film directors if you had the chance? In ‘Not Just Bollywood- Indian Directors Speak’ Tula Goenka meets noted names from Shyam Benegal to Anurag Kashyap to Farhan Akhtar and gets the inside view on cinema and the film industry. So many personal stories abound in this book that it almost calls for its own big bag of popcorn to indulge in, as you read!

There is a maniac energy about ‘Haider’ – and a maniac desire among viewers to immerse themselves in this film. Yes, a film scribe I know turned up at this advance screening, bleary-eyed and disheveled, suitcase in tow, straight from the airport – rather than miss this first screening of Vishal Bhardwaj’s much awaited film!

It is a brutal, blood-stained Kashmir, etchings of a brooding, bereft landscape, a city of disappeared people. It shows that Shakespeare’s tale of deceit and murder, of treachery and lost ideals is a universal tale and relevant to all humans. Bhardwaj has successfully transported the ill-starred Danish Prince to Kashmir, and made it an indigenous, very authentic Indian tale.

This festive season, welcome to Nina Paley’s animated film ‘Sita Sings the Blues’, yet another retelling of India’s great epic, Ramayana. Perhaps it would be more accurate to call it, as some have done, ‘Sitayana’ for it tells the tale from the perspective of Sita, not unlike the oral retellings through the ages by village women that made Sita the focus of the story. Only here the story is told through the jazz tradition of torch songs, of a lovely, smoky voiced lament more often heard in a dark New York lounge or bar, than in the rural outposts of India.

Anurag Kashyap. Aparna Sen. Buddhadeb Dasgupta. Gurinder Chadha. Nagesh Kuknoor. Nagraj Manjule. What if they all wandered into the New York night with megaphones and cameras and created their own tapestry of the city? While that did not happen, the combined star wattage of several talented directors certainly amped up the proceedings at the recent New York Indian Film Festival (NYIFF).

It was quite surreal to sit just seats away from noted directors and dissect the movies with them after the screenings. What you realized was that all these directors were passionate fans of cinema and as anxious to catch new, offbeat films as the next moviegoer!

Bollywood superstars hardly ever play second fiddle to anyone – be it heroines or villains. They dance with beauties who are often just icing on the cake and they bash carloads of villains. Yet now we have Bollywood biggie Akshay Kumar deferring to – a dog!

In ‘Entertainment’, a fun comedy being released this week, it’s a dog’s life for the swashbuckling Akshay as he competes with man’s best friend for his family inheritance – and what can one say but – may the best dog win! Yes, this dog does everything – even get married! And the Big Fat Indian Wedding is quite hilarious. An interview with Akshay Kumar on everything from dogs to dreams.

She is Bollywood’s Sweetheart for everyone in the cinema halls, from front benchers to the elite. But don’t let those dimples fool you – Preity Zinta is one of the smartest women in Bollywood who takes on tough challenges, is fearlessly outspoken and is the proud co-owner of the IPL Kings XI Punjab, along with ex-boy friend industrialist Ness Wadia.

The two are very much in the news, due to the FIR lodged by Preity Zinta, accusing Ness Wadia of molestation. The media is agog with all the details. While all that works itself out, I thought I’d share a chat I had with her some years back.

The fabulous Helen Mirren, the quite wonderful Om Puri – loads of French and Indian food – and a love story with music by AR Rahman. Add to it Steven Spielberg and Oprah Winfrey! Perfect ingredients for an unexpected romance set in France.It is based on the critically acclaimed book by Richard C. Morais which has been a best seller in 29 countries.

Can a film be just over six minutes – and still get you emotionally enmeshed? Our Bollywood movies are usually three hour plus juggernauts of drama, romance and comedy but this little film – over in the blink of an eye – shows that length has nothing to do with the impact of a film. Especially if it has a volatile mix of India, aspirations and the love of a father and son – and is directed by that ace director, Nagesh Kukunoor.
Here’s ‘Sapnon Ki Udaan’ – a father and son love story.

You’ve heard of Alice in Wonderland – now meet Gloria in Bollywood Wonderland – IIFA. Gloria Tadjalli (nee Ramchandani) is a diehard Bollywood fan who will go anywhere for a Bollywood event. She trekked out from Georgia to give us a fan’s view of the glittering IIFA awards in Tampa Bay, Florida.

While media will give you the reporters’ viewpoint, here we bring you the view of the people who really matter – fans! Without them, where would Indian cinema be? And while others get the viewpoint of the big celebs on the green carpet, here we get the view from the other side, the enthusiastic crowds behind barricades and waiting patiently on line for a view of the superstars. Here’s star Vivek Oberoi surrounded by fans, in a selfie clicked by him.

Dekh, cinema, dekh! In the old days, people in small towns and villages in India would wait anxiously for the traveling cinema to come to them with surprise offerings and entertainment.
In a way, the annual New York Indian Film Festival (NYIFF) does the same thing for New Yorkers who are a savvy lot. Yet the festival brings unexpected cinematic treats of found gems, lost stories and glimpses into lives lived.

Imran Khan comes from a famous film family – he is the grandson of director-producer Nasir Husain, creator of some of the most rocking musicals of the 70’s. He is also the nephew of actor Aamir Khan and director-producer Mansoor Khan. He acted as a child star in several movies, disappeared to America, and then re-emerged as a romantic hero in Jaane Tu, Ya Jaane Na which won him the Filmfare Award for the Best Male Debut.
Bollywood loves his romantic ‘chocolate hero’ image in films but chatting with him, you realize he’s not just about style and stardom – but about substance. Here he muses about life, family, love and social activism.

You could call it the traveling House of Wonders. One year it’s in South Africa, another in Singapore and yet another in Dubai. It’s a virtual orgy for Bollywood lovers.
We’re talking of course about the International Indian Film Academy (IIFA) and there’s good news for Bollywood fans in the US – IIFA is coming to Tampa Bay this year, from April 23-26.For fans who want to rub shoulders with celebrity, there’s quite a red carpet contingent coming – Farhan Akhtar, Vidya Balan, Kareena Kapoor, Saif Ali Khan, Madhuri Dixit-Nene, Shruti Hassan, Sonakshi Sinha, Anil Kapoor, Shahid Kapoor, Priyanka Chopra, Sri Devi & Boney Kapoor, Shabana Azmi and Javed Akhtar.

We do live in a brave new world where social media has made interaction amazingly easy. In the old days only media behemoths had power, now every little blogger has a piece of the empire! Facebook, Twitter and Google + have made it possible for ordinary people to nurture revolutions and push for the popular choice.

And now Bollywood actor Abhay Deol has come up with a creative innovation- First Release Cinema on Facebook!

Yes, Bollywood in all its avatars is eternal and continues to take audiences on a seductive, addictive emotional roller coaster ride. Long live the 800 pound gorilla!

When I was a kid, I remember going to the Ramleela for the very first time in the grounds in Old Delhi, full of excitement, anticipation, not knowing what I would be seeing. I came out, thoroughly mesmerized – the bands of monkeys, the giant Jatau bird, the ten-headed demon and the explosion of fireworks did it for me.

Now years later I went to another kind of Ramleela – Sanjay Leela Bhansali’s ‘Ramleela’, also known as Goliyon ki Rasleela, and I have to say, I was knocked out once again – but not quite.

‘Kites’ has hit over 2300 screens worldwide but here’s a behind-the-scenes chat with Hrithik Roshan and Barbara Mori which took place just before that.
Hrithik showed how considerate he is, asking all the scribes, “Do you want me to keep all your tape recorders here?” When I hesitated to hand mine over, saying I needed to keep an eye on it in case the battery died out, he extended his hand and said, “Ya, sure! I’ll keep a check on that!”
(Photo shows Hrithik Roshan being greeted by fans at the premiere.)

It’s not every day that New York actor Samrat Chakrabarti, who’s acted in a ton of movies and TV shows, gets to go back to his roots and star in a Bengali film. And a Hitchcockian thriller, no less! Samrat, who grew up in London, is currently in Calcutta – the city where his parents grew up and he’s seeing himself, larger than life, on huge billboards in the city.

Samrat, who’s done two big movies in the North and South of India – ‘Midnight’s Children’ and ‘Vishwaroopam’ respectively, is doing a movie in Calcutta for the first time and that too in Bengali. The film is ‘Sada Kalo Abcha’, directed by the innovative digital filmmaker Riingo Banerjee, known as the most experimental and technology driven filmmaker in Tollywood. The entire film has been shot with a range of Panasonic cameras.

Oh, the things people do for love! In his latest film, ‘Gori Tere Pyaar Mein’, dashing city slicker Imran Khan abandons urban comforts to pursue his love, Dia, a social activist played by Kareena Kapoor, in the remote wilds of Jhumli, a small village. Recently the star was in New York and chatted with Lassi with Lavina about this romantic comedy which is being released on November 22.
“Punit, the director, is very, very clear in his intentions,” said Imran during a quick interview at his hotel. ” His intent is to make a fun movie that people should laugh, people should enjoy while they are watching it. He wants to have the kind of songs that make people sing along, make people dance, and you should walk out at the end of it feeling that you have not wasted your time and you have not wasted your money. It is that simple!”

Where would you get to rub shoulders with Salman Rushdie, Shabana Azmi, Danny Boyle, Shashi Tharoor, M.F. Husain, Mira Nair, Deepa Mehta, Madhur Jaffrey – and the late, great Ismail Merchant? Well, I met all these topnotch names in New York, all thanks to a small, spunky organization which has survived and thrived by sheer chutzpah. It’s brought a mix of Indian cinema, art, theater and dance to barren city streets, making them all a natural part of American life.

Indeed, if you’re talking about Indian art and culture in the city, you can hardly go a few sentences without mentioning Indo American Arts Council or its creator, Aroon Shivdasani. This year IAAC celebrates its 15th tumble and toss year, and so here’s the story of the little engine that said I think I can, I think I can, against all odds.

Long before Hindi cinema was rechristened Bollywood, there were film posters and showcards under glass in the lobbies of the theaters in India.

As you bought your tickets to enter a magic world, you sauntered by the display cases to check out these show cards, a collage of hand painted photographs which whetted your appetite for the treat to come.

Most of these old markers have disappeared but recently cinema fans got a chance to see a cache of vintage cards, lovingly preserved.