Browsing: Cinema

Good news for masala lovers – Bollywood is coming to the borough of Brooklyn! Queens and Manhattan have long been the strongholds of Indian cinema but the heady cocktail of comedy, melodrama, fights, songs, romance, item numbers and more are now making their way to Park Slope, with a theater showing ‘Boss’, hopefully the first of many Hindi movies.What is coming to Brooklyn is quintessential masala, amplified in true Akshay Kumar ishtyle.

“One day you are uprooted and told that this is not your home any more. Not only that – this is a different country altogether!

Then follows an insane bloodshed which scars the lives of friends and neighbors for years to come. I cannot understand this absurdity. I find it very stupid, drawing lines on paper and fighting over land. The worst is we continue to thrive on hatred, the seeds of which were sown in 1947.”
– Nitin Kakkar, director of ‘Filmistan’ which has won the 2013 National Award for best Hindi film.

‘Raanjhanaa’ – we don’t see men like that anymore – men who are willing to annihilate themselves, subsume themselves for the woman they love, bringing almost a noble, heroic luster to unrequited, unconditional love. ‘Ranjhanaa’ is a Grecian tragedy set in Varanasi, on the ghats and alleys of the holy city and you won’t forget it easily.
I have to admit the film became somewhat of an obsession with me when I saw the pre-release Youtube videos of some of AR Rahman’s songs. They totally blew me away, especially the song ‘Tum Tak’ – so rich in its Sufi textures, so overwhelmingly about a higher love that it had me totally obsessed. I found myself watching the videos again and again, trying to piece together the story from dialogues.

When the movie came out, I was there right in the front char anna class, like a genuine filmi fan, drinking it all in.

This year Mira Nair celebrates the 25th anniversary of her first feature film, the Oscar-nominated ‘Salaam Bombay’ and also the birth of her new film, ‘The Reluctant Fundamentalist’.
On the eve of the release of ‘Salaam Bombay!’ in New York back in 1988, I had taken a subway downtown to interview the new, not-so-famous filmmaker in her tiny apartment.
The world had not yet discovered ‘Salaam Bombay’ but she was exuberant, excited, animated.
Twenty-five years later, she seems exactly the same – exuberant, excited, animated. There have been critically acclaimed films from ‘Mississippi Masala’ to ‘Monsoon Wedding’ to ‘The Namesake’. The awards and accolades have been coming thick and fast.’The Reluctant Fundamentalist’ screened at The Venice International Film Festival and the Tribeca Film Festival, among others. Nair calls it her labor of love, five years in the making.

You’re in the comfortable upper middle-class home of Changez Khan’s parents in Lahore where a qawwalli concert is in full swing and the mesmerizing sounds of Sufi devotional music pervade the room.
The camera zones in on the red paan-stained mouths of the performers, then cuts to the kidnapping of an American academic on the dark streets of Lahore, then back to the musical energy, the total civility of Urdu poetry in bloom. Paan stains and blood. Ethereal music, gun shots and screams. The crescendo rises and you are totally hooked.

There’s no shame in it – so let’s just face the world and say it out loud: we Indians are addicts – filmi addicts! We are incomplete without cinema; we have our withdrawal symptoms if we don’t get our quota of films, be it in a darkened theater, a borrowed video or a sighting on Netflix.
Life without our desi cinema is unimaginable, for who will teach us about love and heartbreak, truth and beauty, family and sacrifice? We need Raj Kapoor’s blue blue eyes to tell us about yearning and lost love; we need Amitabh Bachchan to paint the harsh complexities of life and strife; and we need Shah Rukh Khan to tell us how to battle a million obstacles and win the sweetheart we all dream of.
All this – set to the music which every lover of Indian cinema has coursing in their veins. ( Also check out the wonderful video which says it all! )

Few 100-year-olds are this vibrant but Indian Cinema has all the sass and punch in its centenary year and we can expect exciting things from an industry which has embraced so many different genres. The upcoming New York Indian Film Festival, presented by Indo-American Arts Council, promises to serve up a feast of movies which are making waves. So here’s to a taste of cinema, past and present.

“All the film industry is going to Cannes to celebrate the 100th year of Indian cinema. We are the perfect global kick-off because in 1913 on May 4th was the first-ever Indian movie – and that’s the date of our closing night!” said Aroon Shivdasani, the Executive Director of IAAC, who along with Aseem Chhabra, director of the festival, has selected the eclectic mix of films.

Guess who’s in town? Amitabh Bachchan, Aishwarya Rai, Shah Rukh Khan, Hrithik Roshan and Kareena Kapoor! They are all in Times Square and why this hasn’t quite caused a stampede yet is because they are not quite the real thing. Not even the reel thing. They are here in the wax! At Madame Tussauds, traveling all the way from London.

For thousands of fans this may be the closest they’ll get to the Bollywood superstars. You can stand inches away from them, breathe the same air and even get your photograph with them! True, Amitabh Bachchan can’t give you his autograph nor will you hear Aishwariya’s voice or Kareena’s laugh. Nor will King Khan rattle off an inimitable dialogue for you. But you can stand real close and maybe even shake their hand or sneak a hug! Won’t your friends weep with envy when they see your photo with Hrithik Roshan? Who’s to know he’s a fake?

Imagine circling the world while sitting perfectly still, almost meditatively, in a darkened cinema hall. You witness real lives, real people in places as far apart as Bahia, Brazil, a Navajo reservation in New Mexico, and the isolated Arnhem Land in Australia. You see the differences between varied people but also the commonalities: people face love and loss, and try to make sense of being human, of grief, of injustice.
All these triumphs and tragedies of human existence are captured on camera by diverse filmmakers in films you may never get to see. This was after all at the Margaret Mead Film Festival at the American Museum of Natural History in New York – it is the oldest and best known festival for documentaries from around the world.

“These movies are NOT coming to a theater near you; they are limited distribution, truly independent films that come from around the globe,” says Bella Desai, Director of Public Programs and Exhibition Education.

They may not even have a passport or American visa but everyone from a farmer in an Indian village to a street urchin in Mumbai will have visited Times Square, Fifth Avenue and the skyscrapers of New York – thanks to all the Bollywood movies which are being shot in the US!

Indeed, location shooting in America seems to be one of the hottest trends in Indian cinema, and superstars like Shah Rukh Khan, Salman Khan, Saif Ali Khan, Rani Mukerjee, Katrina Kaif and Preity zinta have all danced their way through the streets of Manhattan.

‘Matru ki Bijlee ka Mandola’ – it’s a real mouthful of a movie title but what a tasty morsel! It is a reminder of why I love going to the movies. At a time when so many Bollywood films are warmed up repeats of what’s gone before, films where you can easily check out the beginning and the ending, fast forward to a few item numbers on Netflix or simply watch a few song scenes on Youtube, Matru ki Bijlee is a film which is quite delicious and warrants watching.

‘Talaash’ has spawned a zillion reviews – in fact, reviewing the film seems to have become a mini cottage industry, and reading some of these reviews I feel I must have gone to a different movie than many of the reviewers. “Mesmerizing’ – ‘Amazing’ it was not, nor did I sit on the edge of my seat from start to finish as some have claimed they did. Nor does it deserve some of the negative comments spawned by movie-goers, after reading the reviews.

No, it’s not the greatest thing since ready-made rotis but it is definitely good cinema.

A young actor pays tribute to the late great filmmaker Yash Chopra.

“In utter shock & sadness I wake up to hearing about the passing away of Mr. Yash Chopra. With my eyes already moist, no words will ever be good enough to describe Yashji’s stature in giving Bollywood the platform and the recognition that it sits on today, and for giving audiences around the globe the ability and heart to smile, cry and love through his soul-stirring vision.

There will NEVER be another Yash Chopra ever again. For me personally, no filmmaker has touched my life and captured my passion and love for Indian Cinema the way Yashji’s films have.”
Guest blog by aspiring actor Zoran Saher

While ‘English Vinglish’ is about a big starry comeback – that of the wonderful superstar Sridevi, it’s also about new beginnings – that of Gauri Shinde’s directorial debut. And there’s yet another story in there of particular interest to New Yorkers – that of the debut of local model-actress Neelu Sodhi in a big Bollywood film, playing the niece of Sridevi.

Neelu Sodhi has gone from a career in finance to modeling and commercials to the big desi dream – Bollywood. Indeed, such is the power of Bollywood in Indian lives that you never know when it’s going to enter your life and give it a 360 degree turn. Read on for a heartwarming Cinderella story. Yes, Bollywood Dreams do come true…

In a very material world of designer haircuts and stylish togs, Vikram Gandhi, 33, did a radical thing: he grew his hair long and nurtured a massive beard. Forsaking all, he donned saffron robes, a fake accent and armed with a trident, became Kumare, the enlightened founder of the Sri Kumare spiritual movement.

Really?

Well, not really. Vikram Gandhi, you see, is a New York based-filmmaker and he is a fake guru in a real documentary, ‘Kumare’. Or as the film is billed, ‘The true story of a false prophet’.

If there’s one thing that Indians across the world share, it’s their love for movies. As newborns, they are weaned on cinema by star-struck parents and as toddlers, their first steps are mingled with dance steps learned from Bollywood movies on video. School kids can rattle off famous dialogues from Hindi films and as young adults, they often take their cues from the romantic sequences in their favorite films. Even patriotism and national integration are often invoked by Bollywood’s rousing lyrics and over-the-top emotions.
This year marks the 100th year of Indian cinema and this vibrant industry seems to be gaining in momentum and strength across the world. Immigrants have brought their love of cinema to America, carrying memories of the golden age of cinema of the 50’s, the wonderful films of V. Shantaram, Raj Kapoor, Bimal Roy, and Guru Dutt.
Young Indian-Americans have acquired this passion for film from their immigrant parents and in this essay, which first appeared on the Smithsonian’s blog, a look at their dreams and aspirations.

Salman Khan is moving to New York! Uh-oh, before you get over-excited, I’d better add it’s the waxwork Salman Khan that is moving to Times Square, New York, joining his buddies Shah Rukh Khan and Amitabh Bachchan in the Bollywood Zone set up in Madame Tussauds famous atelier.

One has to say, it’s about time! After all, Bollywood superstar Salman Khan has such a fevered fan following across the world and his latest film Bodyguard is the second highest grossing Bollywood film of all time.

The grand unveiling of the Salman Khan figure is on August 2 and fans should catch him while they can, as this waxwork is on loan from the London Madame Tussauds and will surely add punch to the Bollywood zone which has the other two biggies, Amitabh Bachchan and Shah Rukh Khan. Two lucky Lassi with Lavina readers can win tickets to see their hero in the wax-flesh.

He was India’s first big superstar, the one for whom that title had been virtually created. In fact, with his stylish mannerisms and his heart-stealing smile, he had gone where no other major Indian movie star had gone before. Raj Kapoor, Dilip Kumar and Dev Anand had fans – but Rajesh Khanna had fevered followers. His female fans were legion and there was a new word invented especially for him – The Phenomenon. Women, it is said, married his photograph, applying sindoor of their blood to their foreheads. His romantic eyes, his matchless smile did something insane to them.
And that brings us to the point: when and where does the pact between actor and audience end? Does the connection end as the reels roll off and the screen goes dark or does the audience pursue the actor into the real world?

It’s a place where life and death have no value. In an encounter with the Gangs of Wsseypur, the audience is transported quite literally to the wild, wild world of Wasseypur where human blood gushes like water, gunshots ring out as freely as birdsong, and no one is burdened with a conscience of a moral compass.

Anurag Kashyap, architect of this unforgettable, hellish world, received a standing ovation at Cannes for his 5-hour plus epic ‘Gangs of Wasseypur’, a juggernaut of revenge set in rural India. An interview with the Godfather of Wasseypur…

CHECK OUT THE PHOTO GALLERY!
Like any good movie, the five-day festival had lots of action, drama, side stories and even back stories. There were panels, discussions, parties and after-parties, all a shorthand for absorbing the diverse material and networking with film buffs.

It was in many ways a New York story, with the opening day red carpet taking place outside the historic Paris Theater (a favorite of the late Ismail Merchant), right opposite the glitzy Plaza Hotel on Fifth Avenue. Horse carriages trotted by near Central Park, horns honked as cars sped and pedestrians rushed by in frentic NY fashion, a few stopping to see what the hullabaloo was about.