Browsing: Features

Today we have thousands of Indian women lawyers, both in India and the Diaspora. But how lonely and frustrating must it have been to be the first and to try and change society?
We pay tribute to the one who started it all, and won the right for women to stand up in court and argue a case. Cornelia Sorabji- India’s first woman lawyer.

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If Thanksgiving is a festival of gratitude, then Indians have been preparing for it their whole lives.

In India, take a walk down the Mumbai waterfront in the early morning mist, and you see ordinary citizens quietly feeding the fish and the birds. Their daily day doesn’t really begin until the deities in their home shrine have been venerated with fresh flowers and offered prasadam.
It is only after eating a little of this blessed offering does the family sit down to their meals. Many remember to keep aside a portion of the food for a hungry person or the birds. It is all about sharing.

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New immigrants in ethnic enclaves tend to have a stronger support system but once they fly the coop into the prestigious suburbs and into Americanization, there is a chasm of distances to overcome between friends. We are monetarily richer but are we poorer in friends?

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With the upcoming holiday season begins the Indian community’s tryst with tradition in America. Both Garba and Dandiya Raas, folk dances, have found their way to America and everyone from heart surgeons to hip-hop kids are taking to the large dandiya raas arenas during the festival of Navrati which heralds a season of upcoming festivals from Dusshera to Diwali. How has the interaction with America changed Garba and Dandiya Raas?

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They spin round and round, going faster and faster, but never breaking the sacred circle, as they clap their hands rhythmically, dancing around the Garba or earthen pot. They smile as they twirl around for in these nine nights they are celebrating the Goddess that is enshrined in all of us.

This hugely empowering dance is called the Garba and it is the centerpiece of the celebration of the Hindu festival of Navratri or Nine Nights.

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Ben Kingsley nothing is ever forgotten or lost – just filed away for the future.
“I am fascinated by people. I love watching them. I do have a vast memory bank and I can access them,” says Kingsley. “It’s a very lucky gift that I have, being able to absorb things.

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When the writer Gita Mehta was growing up in Orissa, a small ancient image of Ganesha was unearthed in a mound of dirt as the foundations of their family home were being laid. “I’ve always kept the Ganesha which came out of my parents’ home,” confided Mehta when I interviewed her once in New York. “That is the one image that goes with me wherever I go. He came out of the Indian soil so to me he’s like an umbilical cord that connects me to India. So it doesn’t matter where I live – he is my India.” A lovely book from 2009, to check out this Ganesh Chathurthi.

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Janmashtmi – Lord Krishna is the Cosmic Cowherd, the mischievous deity that Hindus love the most for his pranks, for his butter-thievery, for his melodious flute, for his romantic interludes with Gopis, the milkmaids.
He fought demons, danced on the mighty serpent’s head and lifted Govardhana Hill with his little finger, using it as an umbrella to protect the people from torrential rains.

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Art

Home and exile are two of the most evocative words in the English language, and they are seared into the work of Zarina Hashmi, noted printmaker and sculptor, who was born in Aligarh in India. Zarina, who goes by only her first name, has been a nomad, a transient who has taken many journeys, crossed many borders. The floor plans of past homes, the many stories of dislocation and the sweet lost language of Urdu are embedded in her prints.

Having worked in relative anonymity for 35 years from her small loft in Manhattan, NY, Zarina, 75, is now suddenly on the international art world’s radar. The prestigious Guggenheim Museum is showcasing “Zarina: Paper Like Skin”, the first retrospective ever of an Indian woman artist, featuring 60 works dating from 1961 to the present.

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