Browsing: Indian films

Yes, it’s that time of the year when New Yorkers get wrapped up in intriguing cinema from the Indian sub-continent, wonderful stories of the diaspora and varied lives – thanks to the New York Indian Film Festival  (NYIFF) which has been a gift of the Indo-American Arts Council and Aroon Shivdasani to New York City

dmit it – sometimes you just want to run away from mundane real life!

Well, here’s the perfect antidote, the perfect escape route… you get to follow four feisty Indian women and their secret desires, meet a famous sibling pair of filmmakers, encounter the truth about the controversial politico Arvind Kejriwal, come face to face with Satyajit Ray’s fascinating detective Feluda and check out two of your favorite stars who are picking up the megaphone and turning director! You even get to see the life story of a porn star turned Bollywood actor!

They may not even have a passport or American visa but everyone from a farmer in an Indian village to a street urchin in Mumbai will have visited Times Square, Fifth Avenue and the skyscrapers of New York – thanks to all the Bollywood movies which are being shot in the US!

Indeed, location shooting in America seems to be one of the hottest trends in Indian cinema, and superstars like Shah Rukh Khan, Salman Khan, Saif Ali Khan, Rani Mukerjee, Katrina Kaif and Preity zinta have all danced their way through the streets of Manhattan.

In the city of reinvention, what better way to stand out from the crowd than to reinvent yourself?
As the film festivals focusing on South Asian films have multiplied in the Big Apple, the oldest and most noted showcase of them all, the MIACC Film Festival, is now known as New York Indian Film Festival (NYIFF) and is focusing on independent and regional films, while still being open to Bollywood blockbusters. The opening film ‘Do Dooni Chaar’ is a Disney film with Bollywood stars but imbued with the indie spirit.

Indian filmgoers have endured through much to see their favorite cinema, right from projections on a sheet in the open air in villages to screenings in ramshackle halls across the Diaspora. Early immigrants tell of renting small tattered theaters or community centers for a single showing of an Indian film to which starved filmiholics would drive from miles to get sustenance. Now they finally have a theater chain of their own.