Who has ever seen the face of the Almighty? Does He wear a peacock feather in His hair or perhaps a coiled snake around His neck? Is the Omnipresent a many-armed powerful Goddess with green eyes or a gentle, golden Madonna and Child?

East and west blend in the surreal works of Brazilian artist Roberto Custodio in which blue-eyed Gods and beauty queen goddesses preside, and the flora and fauna of many continents merge. He creates magic worlds from found materials and paper clippings, discarded consumer magazines which he recycles to create his own truths.

The fireworks still explode in the memory, and the taste of nuts and cream and sugar still linger on the tongue. For immigrants from India, the childhood memories of Diwali are strong, for it is a time when India transforms into one glittering celebration. Public buildings are illuminated with neon lights and every home, no matter how humble, is ablaze with earthen lamps. In fact, entire villages are turned into fairylands, dotted with millions of lamps, glowing in the dark of night.

They spin round and round, going faster and faster, but never breaking the sacred circle, as they clap their hands rhythmically, dancing around the Garba or earthen pot. They smile as they twirl around for in these nine nights they are celebrating the Goddess that is enshrined in all of us.

This hugely empowering dance is called the Garba and it is the centerpiece of the celebration of the Hindu festival of Navratri or Nine Nights.