There was a time in America when Indian food, like Rodney Dangerfield, got no respect. Westerners (and some embarrassed Indians) tried to eat rotis with knife and fork, complained of the greasiness and the smell of the cuisine, and thought Indian food began and ended with ‘curry’.

That was then – this is now!

In our new global world, Indian cuisine is hot – and cool! Everyone seems to understand the language of Indian food, Indian chefs are stars and Indian cuisine has many fans, is anointed by Michelin and Zagat, and is the subject of great reviews. So it was inevitable that a glamorous award ceremony celebrating these successes would be next – the Varli Global Culinary Awards for the best and brightest in Indian cuisine…

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Like any good movie, the five-day festival had lots of action, drama, side stories and even back stories. There were panels, discussions, parties and after-parties, all a shorthand for absorbing the diverse material and networking with film buffs.

It was in many ways a New York story, with the opening day red carpet taking place outside the historic Paris Theater (a favorite of the late Ismail Merchant), right opposite the glitzy Plaza Hotel on Fifth Avenue. Horse carriages trotted by near Central Park, horns honked as cars sped and pedestrians rushed by in frentic NY fashion, a few stopping to see what the hullabaloo was about.

In the world of cinema, there is usually a clear demarcation between the silver screen and the audience. If you are a fan you might count yourself lucky if you got a fleeting glimpse of Bollywood superstar Shah Rukh Khan on the red carpet or if he waved out to you as part of a crowd.

Yet for one Indian-American fan, real life blended into reel life, resulting in ‘Walkaway’, a movie which is being released on 26 screens across 18 cities in the US and echoes the life of young South Asians in New York City. First time filmmaker Shailja Gupta, very much a New York based South Asian herself, managed to pull this film off with help from none other than – Shah Rukh Khan!

‘Hiding Divya’ is a provocative Indie film which takes on hard issues – and delivers. Mental illness is a taboo word in the Indian-American community – it’s about loss of face, ‘bad blood’ and failure – and is often kept under wraps. Filmmakers Rehana Mirza & Rohi Mirza Pandya get the dialogue going…
Above: Pooja Kumar and Madhur Jaffrey in ‘Hiding Divya’
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You have to hand it to Myna Mukherjee, Director of Engendered, the small but spunky human rights organization dedicated to gender, sexuality and minority rights. She not only talks about these difficult topics in the South Asian diaspora, be it HIV-AIDS or sexual orientation, but also makes them more accessible through music, dance, movies – and now fashion.
‘Positive’ by Manish Arora, who is one of the biggest names in fashion, was a tribute to the resilience of AIDS victims: “I chose color to signify ‘positive’ because that is a sign of happiness for me – and I took ‘positive’ to mean happiness – I love happiness! It doesn’t take much to make yourself happy.”