Narasimha, the mighty God Vishnu in his half man-half lion avatar, sits with his frontal arms relaxed in meditation, his two rear arms bearing the chakra disc and the conch shell, which is now missing. Around his tautly crossed legs one is amazed to find a yogapatta – or yoga strap!
For many contemporary practitioners of yoga who consider the yoga strap to be a part of their daily routine in a studio, this brilliantly executed Chola period bronze sculpture is an eye-opener. It shows that not only did yoga originate in India but goes all the way back to the Hindu gods.
Browsing: Rajasthan
How many Indias are there?
As many as the eyes that perceive it.
Each visitor sees a different India, bringing in their own experiences to the encounter. British photographer Clive Limpkin has a lively new book ‘India Exposed: the Sub-Continent A-Z’ which shows the results of his brush with India. His camera, however, returns time and again to what really moves him: the human connection. As he writes: “When friends ask for one good reason to visit, I offer them a billion – it’s the people.”
“But isn’t yoga an English word?”
This was the plaintive response one American had when she was told that yoga’s original birthplace was India. Indeed, this ancient practice from India has traveled so far and been so cut off from its moorings that many current day practitioners in the west seem to think it was always a part of American life.
Now comes a comprehensive art exhibition in America, the first of its kind, which through the language of visuals – paintings, sculptures and photographs – traces yoga’s roots back to India, back to Gods and Goddesses, back to spiritual and philosophical aspirations. It can be seen at the Cleveland Museum of Art from June 22 to September 7, 2014.
Vishnu Vishwarupa: Sun and Moon Eyes, Blazing Mouth
Can one image encapsulate the essence of the entire universe? Check out this small masterpiece and discover the indiscoverable, the Cosmic Body.
Examine this delicate work with a magnifying glass and you see the gorgeous details, the worlds within worlds…
Catch it at the Sackler Gallery of the Smithsonian in DC through January 26.
If the Best Exotic Marigold Hotel was really a hotel in Rajasthan, I think I’d like to spend a few weeks there for there’s just such a kookie charm about the going-to-seed establishment and the young manager Sonny Kapoor, played by Dev Patel with maniac energy and chutzpah, is such an exuberant, happy host.
Indeed ‘The Best Exotic Marigold Hotel’ gives outsourcing a whole new dimension. What if old age could be outsourced – to India? The film follows a group of British retirees who decide to move to India to get more bang for their buck – and discover a whole new world at the Best Exotic Marigold Hotel ‘for the elderly and beautiful’. Recently the stars of the film were in New York and weighed in on their experiences in India.
In India you can see man and monkeys living together in an uneasy truce. A photograph that got away was of at least 20 monkeys all dangling from a traffic light pole in Agra! Before I got my camera out, the bus had moved on and the clambering monkeys remain a delightful snapshot in my memory. I’m sure the monkeys run rampant in places like Benares, Mathura and Haridwar.
In fact, I distinctly remember having my toast snatched from my hand by a greedy monkey at the Haridwar Railway Station many years ago. Now I caught glimpses of monkeys – and humans, outside a small wayside temple near the Ranthambhore National Park. Seen as a form of Hanuman, the venerated Monkey God, these monkeys are indulged and even fed by passers-by.
Fundraising in New York can have a wonderful ripple effect and translate into health camps, scholarships and education for children in the slums in India. That’s been the happy result of Children’s Hope India, a non-profit organization started by a group of five women professionals in New York in 1992 with seed money donated by them and with just one project in hand.
India is serenity, beauty, calmness. India is noise, pollution, crowds. India is irony, humor, drama. India is sharp contrasts, extreme wealth and extreme poverty.
India is a billion people and you get to see many facets of their lives in Clive Limpkin’s book,’India Exposed: The Subcontinent A-Z’ (Abbeyville Press)
They’ve come from different parts of America, each finding their way to India. With their cameras, eleven American photographers have captured the essence of the country, each drawn to the lush, visual kaleidoscope that is India.
Can you take a taxi or drive a car from the US to Rajasthan? Over 500 people did that when they came to the Grand Hyatt Hotel near Grand Central for the much anticipated Children’s Hope Gala, An Evening in Rajasthan. This was a social event with buzz and did not disappoint with the crème de la crème dressed in their royal best. The women guests were greeted with flowers, bindis and bangles, and the men were welcomed with bandhini scarves being put around their necks.
(Consul General of India Prabhu Dayal with Lotus Award honorees AJ and Poonam Khubani)
How do you recreate Rajasthan in New York? With a lot of chutzpah and a lot of friends! Ten of us at Children’s Hope India, a New York-based non-profit are trying to recreate the magic of the desert state in the heart of Manhattan. It all began with Satish Gupta’s magical painting ‘Peacock’ from the Thar collection. It inspired us to invent Rajasthan in the Big Apple – and the artist not only donated us his art for our invitation cards but also some beautiful work for the silent auction.