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Browsing: Shabana Azmi
Aroon Shivdasani says, “People came for the draw of the big names and stayed for the arts and got acquainted and learnt so much about lesser known artists and the excitement of their work.”
Where would you get to rub shoulders with Salman Rushdie, Shabana Azmi, Danny Boyle, Shashi Tharoor, M.F. Husain, Mira Nair, Deepa Mehta, Madhur Jaffrey – and the late, great Ismail Merchant? Well, I met all these topnotch names in New York, all thanks to a small, spunky organization which has survived and thrived by sheer chutzpah. It’s brought a mix of Indian cinema, art, theater and dance to barren city streets, making them all a natural part of American life.
Indeed, if you’re talking about Indian art and culture in the city, you can hardly go a few sentences without mentioning Indo American Arts Council or its creator, Aroon Shivdasani. This year IAAC celebrates its 15th tumble and toss year, and so here’s the story of the little engine that said I think I can, I think I can, against all odds.
This year Mira Nair celebrates the 25th anniversary of her first feature film, the Oscar-nominated ‘Salaam Bombay’ and also the birth of her new film, ‘The Reluctant Fundamentalist’.
On the eve of the release of ‘Salaam Bombay!’ in New York back in 1988, I had taken a subway downtown to interview the new, not-so-famous filmmaker in her tiny apartment.
The world had not yet discovered ‘Salaam Bombay’ but she was exuberant, excited, animated.
Twenty-five years later, she seems exactly the same – exuberant, excited, animated. There have been critically acclaimed films from ‘Mississippi Masala’ to ‘Monsoon Wedding’ to ‘The Namesake’. The awards and accolades have been coming thick and fast.’The Reluctant Fundamentalist’ screened at The Venice International Film Festival and the Tribeca Film Festival, among others. Nair calls it her labor of love, five years in the making.
‘Midnight’s Children’ – a major film collaboration born out of an epic book – and film-goers are waiting in excited anticipation, popcorn and soda ready.
At a preview screening at the Metropolitan Museum of Art, author Salman Rushdie and director Deepa Mehta were in a fun mood, completing each other’s sentences, putting a light-hearted spin on things, and what came through clearly is the rapport they share.
I think I’ll entertain you all meanwhile with the goings on of that evening.
You’re in the comfortable upper middle-class home of Changez Khan’s parents in Lahore where a qawwalli concert is in full swing and the mesmerizing sounds of Sufi devotional music pervade the room.
The camera zones in on the red paan-stained mouths of the performers, then cuts to the kidnapping of an American academic on the dark streets of Lahore, then back to the musical energy, the total civility of Urdu poetry in bloom. Paan stains and blood. Ethereal music, gun shots and screams. The crescendo rises and you are totally hooked.
This has been quite a year for noted actor and activist Shabana Azmi who was awarded the Padma Bhushan by the Government of India. She’s just finished Deepa Mehta’s ‘Midnight’s Children’ based on Salman Rushdie’s novel and is currently making a film with Vishal Bharadwaj. She has been chosen by TIME Magazine as 1 of 25 Asian heroes and is the only woman amongst 4 Indians on the list.
Now comes her New York minute! Shabana Azmi was presented a proclamation by New York State Governor Andrew Cuomo’s Office for Motion Picture and Television Development for her commitment to the arts and contributions to New York City’s film industry.
In the city of reinvention, what better way to stand out from the crowd than to reinvent yourself?
As the film festivals focusing on South Asian films have multiplied in the Big Apple, the oldest and most noted showcase of them all, the MIACC Film Festival, is now known as New York Indian Film Festival (NYIFF) and is focusing on independent and regional films, while still being open to Bollywood blockbusters. The opening film ‘Do Dooni Chaar’ is a Disney film with Bollywood stars but imbued with the indie spirit.
Imagine this: just one actor on stage. No set transformations, no costume changes, little or no action. Yet you sit for a full hour, totally engrossed, and are almost surprised to find that, though you’ve sat immobile in your seat, you’ve traveled into complex worlds, into the innermost reaches of mind and heart.
Few people could pull this off but the combination of actor Shabana Azmi, director Alyque Padamsee and playwright Girish Karnad makes ‘Broken Images’ a play to watch and relish.
“This is the pleasure of making films as a woman – I get to break the rules!” says the thoroughly feisty, unconventional Gurinder Chadha.
Fans who have been waiting for their Bend-It fix will be happy to know her new comedy ‘It’s a Wonderful Afterlife’ has been selected for a world premiere at the Sundance Film Festival which runs January 21-31.
Gurinder Chadha did a quick Q and A with Lassi with Lavina about the making of the movie. (Take a FIRST PEEK at the video!)
It’s not a lyric written for a Bollywood superstar to lip sync, nor is it a script for a million dollar movie, although noted poet Javed Akhtar has done plenty of both. His latest offering is straight from the heart – a love poem, a tribute to Mumbai’s children, the nameless, the homeless who live on the footpaths or survive in the slums, who have to work to get a day’s meal, to merely be able to exist.
What can be better than a feast of cinema? A feast of cinema with several glittering parties and celebrities-in-the-flesh! The Mahindra Indo-American Arts Council festival of Indian films had ample doses of both, and drew an enthusiastic crowd.
It was a great day for celebrity spotting – Salman Rushdie, Shashi Tharoor, Suketu Mehta, Madhur Jaffrey, Konkona Sen-Sharma, Boman Irani, Shabana Azmi, Deepa Mehta, Mira Nair and Ketan Mehta were all there.