Twenty-Five Years of Celebrating One World, Cross-Cultural Artists There are no borders at Sundaram…
Browsing: Sundaram Tagore Gallery
Calcutta was once known as ‘City of Palaces’ and in the days of the British Raj there were opulent buildings built by the rulers as well as the Bengal elite. Today many of these grand structures are in decay and a passionate chronicler of these disappearing stories is Prabir C. Purkayastha, award-winning photojournalist who tells evocative tales through his camera.
Purkayastha was recently in New York where the Sundaram Tagore Gallery showcased Stories in Stone: Colonial Calcutta, images which tell the story of grand edifices in decline.
Imagine a room full of women, prostitutes, lowest of the low. They are faceless – without an identity, without a future. They are created out of found objects, the flotsam and jetsam of society.
Their heads are fashioned out of jars, their breasts are jars shaped like voluptuous melons– after all, aren’t women objects? They lack hands, and some even their lower limbs, they have no standing in society. Clad in flashy underwear and gold heels, they are what they wear, sexual objects in an uncaring society.
And yet to stand in that small room with these life-sized, lifeless women was to feel their presence and their pain. It seemed almost a community. Iranian artist Shirin Fakim’s women were just one vignette of the recent Asian Contemporary Art Week (ACAW)
Mount Kailash, Tibet’s holiest summit, gives lessons in life – and death. It can even inspire people who have never seen it. Mexican artist Ricardo Mazal was mesmerized by the images and took a trip, one of the most difficult he’s ever attempted, to do the ‘Kora’ or pilgrimage which is a 33 mile trek around the peak, and is undertaken by Buddhists, Hindus, Jains and Bonpos alike.
It is believed that 108 rounds of Mount Kailash can lead to nirvana. The Kora became a pilgrimage for Ricardo Mazal to unearth larger truths about life and death.