In the city of reinvention, what better way to stand out from the crowd than to reinvent yourself?
As the film festivals focusing on South Asian films have multiplied in the Big Apple, the oldest and most noted showcase of them all, the MIACC Film Festival, is now known as New York Indian Film Festival (NYIFF) and is focusing on independent and regional films, while still being open to Bollywood blockbusters. The opening film ‘Do Dooni Chaar’ is a Disney film with Bollywood stars but imbued with the indie spirit.
Browsing: Aroon shivdasani
Bollywood, Hollywood, art cinema, documentaries and shorts all came together in that swirling melange of new and exciting films at the Mahindra 2010 Indo American Art Council Film Festival known as MIAAC.
This festival brings an eclectic, surprising mix of South Asian based cinema from different parts of the world – and you never know which film will turn out to be the next big hit or major award-winner. After all, ‘Namesake’, ‘Water’ and even ‘Slumdog Millionaire’ first opened here, almost six months before their general release.
Imagine this: just one actor on stage. No set transformations, no costume changes, little or no action. Yet you sit for a full hour, totally engrossed, and are almost surprised to find that, though you’ve sat immobile in your seat, you’ve traveled into complex worlds, into the innermost reaches of mind and heart.
Few people could pull this off but the combination of actor Shabana Azmi, director Alyque Padamsee and playwright Girish Karnad makes ‘Broken Images’ a play to watch and relish.
It’s not often that you run into Bollywood biggie Karan Johar at a makeshift Chowpatty or chat with Mira Nair while eating kulfis at a fake Pasta Lane – and that too in the heart of New York, inside the Grand Hyatt Hotel!
The event was An Evening in Mumbai, and like the real Mumbai, this imitation Mumbai glittered. Every one of the guests was dressed in Bollywood glam, a mad medley of colors and jewels. For a day, every guest was a star and walked down the red carpet.
It was a book reading to which the books never made it, but if an image is worth a thousand words, then guests got a good idea of what they would get when they finally got the book.
Lord Shiva danced the world into existence with a shake of his mighty damru, it is said, and we’ve been dancing ever since.You had to be at ‘Erasing Borders: Festival of Indian Dance’, a three day festival of dance in NYC to see how boldly the ghungroo bells ring and how feet and hands and bodies meld into a thing of beauty. What was eye-opening was the sheer diversity of the dance vocabulary and how it’s being interpreted by a whole new generation of dancers.
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It was a chance to pull out the shimmering ghararas and heavy jewelry and go royal for a day. Well, the Manhattan Mughuls and nawabs made it out to Bombay Palace’s K Lounge not by horse carriage or on the backs of elephants – probably by a more mundane car, taxi or subway!
A store is born – or should we say a star is born?
Misha Nicole, a new fashion concept store which is opening in Soho in fall 2010 gave shoppers a peek at things to come with Global Runway’s Night Out, a fashion show organized with the Indo-American Arts Council (IAAC) at the Paramount Hotel. Over 300 people turned up for an evening of cocktails and style-gazing as a battalion of models showed the collections of 10 designers from India, the US and Canada in a series of looks conceptualized by Misha Nicole Shivdasani.
They’ve come from different parts of America, each finding their way to India. With their cameras, eleven American photographers have captured the essence of the country, each drawn to the lush, visual kaleidoscope that is India.
Richard Gere, Mira Nair, Salman Rushdie and more…star spotters had a field day at the special preview of ‘Amelia’
New York City was abuzz with the launch of Mira Nair’s new film ‘Amelia’ which comes from a big studio and stars big names Hilary Swank and Richard Gere. Directed by Nair, the film follows the fabled adventures of Amelia Earhart, the first woman to fly solo across the Atlantic. The film, while different from Nair’s recent India-related films, stays true to her fascination and empathy with strong women. It is a film about woman power, about a woman before her time, ‘a flying yogini’ as Nair likes to call her.
The lovely bride was just 25 years old but in book years, ‘The Pakistani Bride’ had turned a hefty quarter of a century old!