Browsing: Indian cinema

Is Bollywood growing grey cells? A conscience? More empathy? Just this year I’ve watched a whole lot of films which made me feel that Indian cinema, usually flippantly boxed together as Bollywood, is maturing, developing a heart and a soul.

In recent times there have been thought-provoking films like ‘Court’, ‘Killa’, ‘Titli’, ‘Fandry’ and ‘Shahid’  which have  made you mull over social issues long after you left the theater, in the manner of old powerful game-changers like ‘Garam Hawa’, ‘Ankur’ and  ‘Manthan’.

The World is getting older no doubt about it – even Shah Rukh Khan, the heart-throb of millions is turning 50!
It’s hard to believe that the carefree Raj of ‘Dil Wale Dulhaniya Lejayege’ is five decades old. Yet he’s evergreen for his legions of fans and this photo of fans coming to his home to wish him on the big 5-O says it all.

Don’t you love this new America where India pops up in the most unlikely places? If you live in Queens you’ll be delighted to know that the marvelous Museum of the Moving Image has embraced India’s New Wave Cinema with the screening of a new film every month.

Imagine sitting across the table from the iconic Amitabh Bachchan as he tells you – and only you – in his rich baritone about his daily life. Imagine the one and only Madhuri Dixit chatting with you about who does the cooking in her family as her husband Sriram Nene gamely shoots a picture of her and you together. Imagine the wonderful A.R. Rahman actually bringing you a glass of orange juice when he hears you are fasting that day.

Yes, all this actually happened to me!

Kamal Haasan, the enigmatic actor and director, is coming to New York City and you have a chance to meet him and share his thoughts and ideas.

The Metropolitan Museum of Art invites you an informal talk with one of India’s best-loved actors and directors.

Watch out, the wild Gangs of Wasseypur have come to New York and no one’s going to be spared! Anurag Kashyap’s stunning mafia odyssey will hook you, grab you and get you.
It is the very heart of darkness, a revenge saga where there’s no business like the don business and where firing a gun is as normal as brushing your teeth. Every random unknown on a scooter, armed with an AK47, is a killing machine.
As a visitor to Wasseypur, albeit in the theater, you need to have a high tolerance for bloodshed – after a while even your popcorn seems to be tinged with blood.

Indian cinema is so much more than Bollywood, encompassing regional and independent cinema. What would you ask 28 of the top film directors if you had the chance? In ‘Not Just Bollywood- Indian Directors Speak’ Tula Goenka meets noted names from Shyam Benegal to Anurag Kashyap to Farhan Akhtar and gets the inside view on cinema and the film industry. So many personal stories abound in this book that it almost calls for its own big bag of popcorn to indulge in, as you read!

Dekh, cinema, dekh! In the old days, people in small towns and villages in India would wait anxiously for the traveling cinema to come to them with surprise offerings and entertainment.
In a way, the annual New York Indian Film Festival (NYIFF) does the same thing for New Yorkers who are a savvy lot. Yet the festival brings unexpected cinematic treats of found gems, lost stories and glimpses into lives lived.

We do live in a brave new world where social media has made interaction amazingly easy. In the old days only media behemoths had power, now every little blogger has a piece of the empire! Facebook, Twitter and Google + have made it possible for ordinary people to nurture revolutions and push for the popular choice.

And now Bollywood actor Abhay Deol has come up with a creative innovation- First Release Cinema on Facebook!

Bollywood may be loved by the frontbenchers in Indian cinema halls but it has friends in high places too – the elite world of contemporary art. There is just something about the surreal, over-the-top world of masala films and item dance numbers that strikes a chord in the more rarified world of contemporary Indian art.

A new show ‘Cinephiliac’ at Twelve Gates Art in Philadelphia, PA, checks out this phenomenon with the work of emerging as well as noted artists, a creative dialogue between art and film. This new exhibition reinforces these influences and shows the work of both Indian and Pakistani artists, for the effect of Bollywood cheekily crosses borders and permeates different cultures.

Where would you get to rub shoulders with Salman Rushdie, Shabana Azmi, Danny Boyle, Shashi Tharoor, M.F. Husain, Mira Nair, Deepa Mehta, Madhur Jaffrey – and the late, great Ismail Merchant? Well, I met all these topnotch names in New York, all thanks to a small, spunky organization which has survived and thrived by sheer chutzpah. It’s brought a mix of Indian cinema, art, theater and dance to barren city streets, making them all a natural part of American life.

Indeed, if you’re talking about Indian art and culture in the city, you can hardly go a few sentences without mentioning Indo American Arts Council or its creator, Aroon Shivdasani. This year IAAC celebrates its 15th tumble and toss year, and so here’s the story of the little engine that said I think I can, I think I can, against all odds.

Good news for masala lovers – Bollywood is coming to the borough of Brooklyn! Queens and Manhattan have long been the strongholds of Indian cinema but the heady cocktail of comedy, melodrama, fights, songs, romance, item numbers and more are now making their way to Park Slope, with a theater showing ‘Boss’, hopefully the first of many Hindi movies.What is coming to Brooklyn is quintessential masala, amplified in true Akshay Kumar ishtyle.

“One day you are uprooted and told that this is not your home any more. Not only that – this is a different country altogether!

Then follows an insane bloodshed which scars the lives of friends and neighbors for years to come. I cannot understand this absurdity. I find it very stupid, drawing lines on paper and fighting over land. The worst is we continue to thrive on hatred, the seeds of which were sown in 1947.”
– Nitin Kakkar, director of ‘Filmistan’ which has won the 2013 National Award for best Hindi film.

‘Raanjhanaa’ – we don’t see men like that anymore – men who are willing to annihilate themselves, subsume themselves for the woman they love, bringing almost a noble, heroic luster to unrequited, unconditional love. ‘Ranjhanaa’ is a Grecian tragedy set in Varanasi, on the ghats and alleys of the holy city and you won’t forget it easily.
I have to admit the film became somewhat of an obsession with me when I saw the pre-release Youtube videos of some of AR Rahman’s songs. They totally blew me away, especially the song ‘Tum Tak’ – so rich in its Sufi textures, so overwhelmingly about a higher love that it had me totally obsessed. I found myself watching the videos again and again, trying to piece together the story from dialogues.

When the movie came out, I was there right in the front char anna class, like a genuine filmi fan, drinking it all in.

There’s no shame in it – so let’s just face the world and say it out loud: we Indians are addicts – filmi addicts! We are incomplete without cinema; we have our withdrawal symptoms if we don’t get our quota of films, be it in a darkened theater, a borrowed video or a sighting on Netflix.
Life without our desi cinema is unimaginable, for who will teach us about love and heartbreak, truth and beauty, family and sacrifice? We need Raj Kapoor’s blue blue eyes to tell us about yearning and lost love; we need Amitabh Bachchan to paint the harsh complexities of life and strife; and we need Shah Rukh Khan to tell us how to battle a million obstacles and win the sweetheart we all dream of.
All this – set to the music which every lover of Indian cinema has coursing in their veins. ( Also check out the wonderful video which says it all! )

Few 100-year-olds are this vibrant but Indian Cinema has all the sass and punch in its centenary year and we can expect exciting things from an industry which has embraced so many different genres. The upcoming New York Indian Film Festival, presented by Indo-American Arts Council, promises to serve up a feast of movies which are making waves. So here’s to a taste of cinema, past and present.

“All the film industry is going to Cannes to celebrate the 100th year of Indian cinema. We are the perfect global kick-off because in 1913 on May 4th was the first-ever Indian movie – and that’s the date of our closing night!” said Aroon Shivdasani, the Executive Director of IAAC, who along with Aseem Chhabra, director of the festival, has selected the eclectic mix of films.

In the city of reinvention, what better way to stand out from the crowd than to reinvent yourself?
As the film festivals focusing on South Asian films have multiplied in the Big Apple, the oldest and most noted showcase of them all, the MIACC Film Festival, is now known as New York Indian Film Festival (NYIFF) and is focusing on independent and regional films, while still being open to Bollywood blockbusters. The opening film ‘Do Dooni Chaar’ is a Disney film with Bollywood stars but imbued with the indie spirit.

This festival brings an eclectic, surprising mix of South Asian based cinema from different parts of the world – and you never know which film will turn out to be the next big hit or major award-winner. After all, ‘Namesake’, ‘Water’ and even ‘Slumdog Millionaire’ first opened here, almost six months before their general release.

“These are amazing, inventive films and it makes MOMA a home for the most vibrant and intelligent cinema coming out of India, and this is a rare privilege.”

Forget about the amateurish fight scenes and burning toy cars of the past – special effects, animation and action shots are now all the trend, and very serious business in Bollywood!