Browsing: Mira Nair

The case of the invisible patient, the I-patient who exists just on the physician’s computer monitor as so much data, while the real live patient in the bed is ignored, has become an important issue for Verghese, both in work and his writing.

“I think that there’s a very special transaction that takes place between physician and the patient during the course of a careful examination,” he says. “It’s during that exam when the physician touches you and pulls your eyelid down and looks into your eyes and thumps on your chest – that’s when a very ritualistic bond is formed and if you shortchange that by just sitting behind your desk and saying ‘Let’s send you for this test, let’s send you for that test,’ you have essentially shortchanged yourself from an important transaction.”

Bold-face names and big accomplishments amid the opulence of New York’s Waldorf-Astoria – the perfect place for The Light of India Awards, the first ever major recognition of NRI movers and shakers by Remit2India, a Times Group company. Over 200 of the who’s who of the South Asian community gathered to pay tribute to their own, the doers and dreamers of the corporate, business, arts and technology world

Salman Rushdie, Vikram Seth, Jhumpa Lahiri, Chitra Banerjee Divakaruni, or M G Vassanji – who would be the one you’d vote for in the world of journalism and literature? Bobby Jindal, Swati Dandekar, Dr. Ruby Dhalla or Ameya Pawar – who would be your choice for political leadership? Would you be torn if you had to choose among Mira Nair, Russell Peters, Meera Syal, Sunil Nayar and Sanjeev Bhaskar in the field of entertainment?

Well, now you have a chance to vote for the most notable NRIS – and perhaps win free tickets to India in the bargain, with the upcoming Light of India Awards.

Bollywood, Hollywood, art cinema, documentaries and shorts all came together in that swirling melange of new and exciting films at the Mahindra 2010 Indo American Art Council Film Festival known as MIAAC.

This festival brings an eclectic, surprising mix of South Asian based cinema from different parts of the world – and you never know which film will turn out to be the next big hit or major award-winner. After all, ‘Namesake’, ‘Water’ and even ‘Slumdog Millionaire’ first opened here, almost six months before their general release.

It’s not often that you run into Bollywood biggie Karan Johar at a makeshift Chowpatty or chat with Mira Nair while eating kulfis at a fake Pasta Lane – and that too in the heart of New York, inside the Grand Hyatt Hotel!

The event was An Evening in Mumbai, and like the real Mumbai, this imitation Mumbai glittered. Every one of the guests was dressed in Bollywood glam, a mad medley of colors and jewels. For a day, every guest was a star and walked down the red carpet.

“Women in South Asia are some of the most policed in the world. Their sexuality, their bodies, their desires are constantly monitored and judged through the morality of societies in South Asia,” says Myna Mukherjee, director of Engendered. “Fashion has an incredibly popular appeal yet is considered frivolous or superfluous – both its creative roots as well as its worth are constantly questioned.”

At I-View Film Festival 2010 , a powerful band of cinema warriors is coming to town – imagine directors like Vishal Bhardwaj, Aparna Sen, Onir, and Rituparno Ghosh in the flesh along with wonderful actors like Rahul Bose, Rituparna Sengupta, Konkona Sen, Raima Sen, and Juhi Chawla.

This year on 10/10/10 everyone is a Mumbaikar at heart and together we celebrate that great city by the sea which has shown a lot of courage and resilience under attack. Children’s Hope India presents An Evening in Mumbai Gala

They are probably some of the brainiest dancers in America, having graduated from top universities like Stanford to MIT to Harvard Business School. Indeed, between them, the sprightly Sa Dancers have degrees in everything from mechanical engineering to computer science – but they sure can dance!

When different lives, different experiences intersect, you get something totally unexpected and fresh. That’s the story of The Sa Dance Company – twelve dancers coming from diverse disciplines and filtering their moves together into something unique. Many of them are from Ivy League colleges and work at blue chip corporations but through it all they’ve kept their deep passion for dance.

Are Hollywood movies going to be a cash cow for Indian-American producers? Generally you have NRI filmmakers making movies with Indian themes or Indian actors but Naveen Chathapuram of Chicago has just ventured into mainstream territory, by producing ‘CA$H’, a psychological thriller with Hollywood stars Sean Bean (Lord of the Rings), Chris Hemsworth (Thor, Star Trek) and Victoria Profeta (Push, The Drew Carey Show). The film is written and directed by Stephen Milburn Anderson (South Central)

You have to hand it to Myna Mukherjee, Director of Engendered, the small but spunky human rights organization dedicated to gender, sexuality and minority rights. She not only talks about these difficult topics in the South Asian diaspora, be it HIV-AIDS or sexual orientation, but also makes them more accessible through music, dance, movies – and now fashion.
‘Positive’ by Manish Arora, who is one of the biggest names in fashion, was a tribute to the resilience of AIDS victims: “I chose color to signify ‘positive’ because that is a sign of happiness for me – and I took ‘positive’ to mean happiness – I love happiness! It doesn’t take much to make yourself happy.”

Richard Gere, Mira Nair, Salman Rushdie and more…star spotters had a field day at the special preview of ‘Amelia’

What can be better than a feast of cinema? A feast of cinema with several glittering parties and celebrities-in-the-flesh! The Mahindra Indo-American Arts Council festival of Indian films had ample doses of both, and drew an enthusiastic crowd.

New York City was abuzz with the launch of Mira Nair’s new film ‘Amelia’ which comes from a big studio and stars big names Hilary Swank and Richard Gere. Directed by Nair, the film follows the fabled adventures of Amelia Earhart, the first woman to fly solo across the Atlantic. The film, while different from Nair’s recent India-related films, stays true to her fascination and empathy with strong women. It is a film about woman power, about a woman before her time, ‘a flying yogini’ as Nair likes to call her.

“These are amazing, inventive films and it makes MOMA a home for the most vibrant and intelligent cinema coming out of India, and this is a rare privilege.”

“There is now a real feeling of home, I must say, in all three places. I don’t think I could do without one of them,” says Mira Nair.

Yes, all the high drama, the tall tales of tall cities like Bombay and New York started on a narrow balcony on a narrow street in Bada Bazaar in an old and densely packed part of Calcutta.

Can cinema change the way you think? Can it shape the way society collectively views difficult choices – or can society change the way films reflect certain stereotypes? Rarely do you get an opportunity to mull social issues while enjoying endless cinema and this was the special attraction of I View Film, an annual film festival with the ambitious title of New Ways of Seeing Human Rights Cinema.