Few 100-year-olds are this vibrant but Indian Cinema has all the sass and punch in its centenary year and we can expect exciting things from an industry which has embraced so many different genres. The upcoming New York Indian Film Festival, presented by Indo-American Arts Council, promises to serve up a feast of movies which are making waves. So here’s to a taste of cinema, past and present.

“All the film industry is going to Cannes to celebrate the 100th year of Indian cinema. We are the perfect global kick-off because in 1913 on May 4th was the first-ever Indian movie – and that’s the date of our closing night!” said Aroon Shivdasani, the Executive Director of IAAC, who along with Aseem Chhabra, director of the festival, has selected the eclectic mix of films.

On this golden summer afternoon, it seemed quite a good option to be jobless, a tourist or a window shopper browsing the Financial District rather than a hedge fund guy or a banker immersed in a dry office!

In a surreal juxtaposition, sparkling Bollywood, Indian music and dance had come to NYC’s downtown business area, with costumed dancers doing high kicks against the skyscrapers and bringing the ‘nakras’ and ‘chakras’ of Indian dance to this rather sober part of town.

Tourists gaped from the top of open double decker tourist buses which rolled past the plaza with its unexpected celebration of Bharat Natyam, Kuchipudi, Kathak and ‘filmi’ Bollywood dance. Right on One New York Plaza was Erasing Borders: Festival of Indian Dance, a free event co-presented by the Indo-American Arts Council and Battery Dance Company as part of the 31st Downtown Dance Festival.

CHECK OUT THE PHOTO GALLERY!
Like any good movie, the five-day festival had lots of action, drama, side stories and even back stories. There were panels, discussions, parties and after-parties, all a shorthand for absorbing the diverse material and networking with film buffs.

It was in many ways a New York story, with the opening day red carpet taking place outside the historic Paris Theater (a favorite of the late Ismail Merchant), right opposite the glitzy Plaza Hotel on Fifth Avenue. Horse carriages trotted by near Central Park, horns honked as cars sped and pedestrians rushed by in frentic NY fashion, a few stopping to see what the hullabaloo was about.

2012 marks the 100th year of Indian Cinema, so what better time to go on a filmi marathon?
Luckily, the 2012 New York Indian Film Festival is just around the corner, so we can eat, drink and dream cinema for 5 days!
But Indian cinema is so much more than just Bollywood and here are 10 tips to help you get the best of this multifaceted festival which brings you a rich mix of regional and Hindi cinema.
The 12th annual New York Indian Film Festival is presented by Indo-American Arts Council (IAAC) and runs May 23-27

This has been quite a year for noted actor and activist Shabana Azmi who was awarded the Padma Bhushan by the Government of India. She’s just finished Deepa Mehta’s ‘Midnight’s Children’ based on Salman Rushdie’s novel and is currently making a film with Vishal Bharadwaj. She has been chosen by TIME Magazine as 1 of 25 Asian heroes and is the only woman amongst 4 Indians on the list.

Now comes her New York minute! Shabana Azmi was presented a proclamation by New York State Governor Andrew Cuomo’s Office for Motion Picture and Television Development for her commitment to the arts and contributions to New York City’s film industry.

Traditional Brahmin values, sex and rock n roll and drugs, caste and class, British missionaries, forbidden love affairs and murder, Indian schoolgirls playing British – all in the same India of the 70’s. ‘Miss Timmins’ School for Girls’ is a lush coming of age story and a murder-mystery rolled into one, set in an all-girls school in the sleepy hill station of Panchgani in India.

It also happens to be Nayana Currimbhoy’s first novel – and that is surprising for the writing is seasoned, evocative, taking you into a compelling yet insular universe.
Q and A with the author.

In the city of reinvention, what better way to stand out from the crowd than to reinvent yourself?
As the film festivals focusing on South Asian films have multiplied in the Big Apple, the oldest and most noted showcase of them all, the MIACC Film Festival, is now known as New York Indian Film Festival (NYIFF) and is focusing on independent and regional films, while still being open to Bollywood blockbusters. The opening film ‘Do Dooni Chaar’ is a Disney film with Bollywood stars but imbued with the indie spirit.

Bollywood, Hollywood, art cinema, documentaries and shorts all came together in that swirling melange of new and exciting films at the Mahindra 2010 Indo American Art Council Film Festival known as MIAAC.

This festival brings an eclectic, surprising mix of South Asian based cinema from different parts of the world – and you never know which film will turn out to be the next big hit or major award-winner. After all, ‘Namesake’, ‘Water’ and even ‘Slumdog Millionaire’ first opened here, almost six months before their general release.

Imagine this: just one actor on stage. No set transformations, no costume changes, little or no action. Yet you sit for a full hour, totally engrossed, and are almost surprised to find that, though you’ve sat immobile in your seat, you’ve traveled into complex worlds, into the innermost reaches of mind and heart.

Few people could pull this off but the combination of actor Shabana Azmi, director Alyque Padamsee and playwright Girish Karnad makes ‘Broken Images’ a play to watch and relish.