A celebratory dinner was held for the success of Mughal-E-Azam by Aroon and Indur Shivdasani who are friends of Director Feroz Abbas Khan.
Browsing: Aroon shivdasani
A Mughal Evening in New York’s only Indo-Persian Garden…
Dr. Nirmal Mattoo may be far away from the Vale of Kashmir, the place where he was born, but its sheer beauty, sense of community and native customs have stayed with him, even in far-off New York. He has tried to bring the wisdom and beauty of India, including that of his hometown, to share with the larger world.
From thought leaders and advocates in public spaces to the CEOs of corporations and start-ups to the hordes of unsung NYC cabbies, cooks and 711 workers – there are countless Indian stories waiting to be told. Indian brain cells, entrepreneurship and sweat equity are entwined with the success of America, and we will meet these famous, infamous and ordinary people every week.
Aroon Shivdasani says, “People came for the draw of the big names and stayed for the arts and got acquainted and learnt so much about lesser known artists and the excitement of their work.”
Yes, it’s that time of the year when New Yorkers get wrapped up in intriguing cinema from the Indian sub-continent, wonderful stories of the diaspora and varied lives – thanks to the New York Indian Film Festival (NYIFF) which has been a gift of the Indo-American Arts Council and Aroon Shivdasani to New York City
The Happiness Rickshaw is guaranteed to make you smile. It makes you happy even as you spread the happiness factor across continents
Film festivals are always a draw – so say you come just for the movies but admit it, you’re also there to see the actors and the directors, to rub shoulders with celebrity and perhaps share a drink with the Starry Ones!
Sometimes there’s a film so emotionally wrenching and yet so life-affirming that you just have to see it. Such a film is Shonali Bose’s ‘Margarita with a straw’ which opens the New York Indian Film Festival. In this unusual love story, a middle-class Indian teenager with cerebral palsy longs to experience that most basic of human desires – a love relationship. Sex and the disabled are hardly ever talked of in the same breath, and this brave film takes on this taboo topic
Anurag Kashyap. Aparna Sen. Buddhadeb Dasgupta. Gurinder Chadha. Nagesh Kuknoor. Nagraj Manjule. What if they all wandered into the New York night with megaphones and cameras and created their own tapestry of the city? While that did not happen, the combined star wattage of several talented directors certainly amped up the proceedings at the recent New York Indian Film Festival (NYIFF).
It was quite surreal to sit just seats away from noted directors and dissect the movies with them after the screenings. What you realized was that all these directors were passionate fans of cinema and as anxious to catch new, offbeat films as the next moviegoer!
The arts need creators, facilitators, patrons and an audience – and all were there in full measure at the IAAC 15th anniversary gala.
Salman Rushdie and Mira Nair both received awards for their contribution to the arts, as did Dr. Manjula Bansal for her contributions to medicine but also for being a stellar devotee and patron of the arts.
And the facilitator of the arts was there in the shape of Aroon Shivdasani, the founder and director of IAAC, who has brought art, music, dance and cinema to New York audiences for the past 15 years.
Where would you get to rub shoulders with Salman Rushdie, Shabana Azmi, Danny Boyle, Shashi Tharoor, M.F. Husain, Mira Nair, Deepa Mehta, Madhur Jaffrey – and the late, great Ismail Merchant? Well, I met all these topnotch names in New York, all thanks to a small, spunky organization which has survived and thrived by sheer chutzpah. It’s brought a mix of Indian cinema, art, theater and dance to barren city streets, making them all a natural part of American life.
Indeed, if you’re talking about Indian art and culture in the city, you can hardly go a few sentences without mentioning Indo American Arts Council or its creator, Aroon Shivdasani. This year IAAC celebrates its 15th tumble and toss year, and so here’s the story of the little engine that said I think I can, I think I can, against all odds.
In New York, you can expect the unexpected – fabulous Indian dance taking place under the trees in the greenery of cascading parks, right in the middle of joggers and strollers, office workers and moms pushing prams. All the doing of the Indo-American Arts Council (IAAC) which in collaboration with the Downtown Dance Festival presented free lunch-time performances in Battery Park.
“To see the dancers performing among trees at Battery Park, the many members of the public stopping to watch and take photographs – some even during their lunch-time jogging – was quite remarkable. Rama Vaidyanathan did her ‘Mayuri Alaripu’ in a Peacock Feather Suite that was designed for the venue and looks wonderful in it. Vijaya Lakshmi, too, did a peacock dance, but we were happy that it did NOT usher in any rain!” Guest Blog
Few 100-year-olds are this vibrant but Indian Cinema has all the sass and punch in its centenary year and we can expect exciting things from an industry which has embraced so many different genres. The upcoming New York Indian Film Festival, presented by Indo-American Arts Council, promises to serve up a feast of movies which are making waves. So here’s to a taste of cinema, past and present.
“All the film industry is going to Cannes to celebrate the 100th year of Indian cinema. We are the perfect global kick-off because in 1913 on May 4th was the first-ever Indian movie – and that’s the date of our closing night!” said Aroon Shivdasani, the Executive Director of IAAC, who along with Aseem Chhabra, director of the festival, has selected the eclectic mix of films.
On this golden summer afternoon, it seemed quite a good option to be jobless, a tourist or a window shopper browsing the Financial District rather than a hedge fund guy or a banker immersed in a dry office!
In a surreal juxtaposition, sparkling Bollywood, Indian music and dance had come to NYC’s downtown business area, with costumed dancers doing high kicks against the skyscrapers and bringing the ‘nakras’ and ‘chakras’ of Indian dance to this rather sober part of town.
Tourists gaped from the top of open double decker tourist buses which rolled past the plaza with its unexpected celebration of Bharat Natyam, Kuchipudi, Kathak and ‘filmi’ Bollywood dance. Right on One New York Plaza was Erasing Borders: Festival of Indian Dance, a free event co-presented by the Indo-American Arts Council and Battery Dance Company as part of the 31st Downtown Dance Festival.
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Like any good movie, the five-day festival had lots of action, drama, side stories and even back stories. There were panels, discussions, parties and after-parties, all a shorthand for absorbing the diverse material and networking with film buffs.
It was in many ways a New York story, with the opening day red carpet taking place outside the historic Paris Theater (a favorite of the late Ismail Merchant), right opposite the glitzy Plaza Hotel on Fifth Avenue. Horse carriages trotted by near Central Park, horns honked as cars sped and pedestrians rushed by in frentic NY fashion, a few stopping to see what the hullabaloo was about.
2012 marks the 100th year of Indian Cinema, so what better time to go on a filmi marathon?
Luckily, the 2012 New York Indian Film Festival is just around the corner, so we can eat, drink and dream cinema for 5 days!
But Indian cinema is so much more than just Bollywood and here are 10 tips to help you get the best of this multifaceted festival which brings you a rich mix of regional and Hindi cinema.
The 12th annual New York Indian Film Festival is presented by Indo-American Arts Council (IAAC) and runs May 23-27
This has been quite a year for noted actor and activist Shabana Azmi who was awarded the Padma Bhushan by the Government of India. She’s just finished Deepa Mehta’s ‘Midnight’s Children’ based on Salman Rushdie’s novel and is currently making a film with Vishal Bharadwaj. She has been chosen by TIME Magazine as 1 of 25 Asian heroes and is the only woman amongst 4 Indians on the list.
Now comes her New York minute! Shabana Azmi was presented a proclamation by New York State Governor Andrew Cuomo’s Office for Motion Picture and Television Development for her commitment to the arts and contributions to New York City’s film industry.
Traditional Brahmin values, sex and rock n roll and drugs, caste and class, British missionaries, forbidden love affairs and murder, Indian schoolgirls playing British – all in the same India of the 70’s. ‘Miss Timmins’ School for Girls’ is a lush coming of age story and a murder-mystery rolled into one, set in an all-girls school in the sleepy hill station of Panchgani in India.
It also happens to be Nayana Currimbhoy’s first novel – and that is surprising for the writing is seasoned, evocative, taking you into a compelling yet insular universe.
Q and A with the author.