Browsing: Features

‘The Big Sick’ is a story for our times and what makes it kind of cool is that it’s a real life story – it actually happened and is not the figment of someone’s imagination. Yes, immigration, love, breakup and marriage, sickness and coma, terrorism and multiculturalism all come into it but it’s always upbeat, always funny. Big ambitious topics for a sweet little romantic tale but ‘The Big Sick’ pulls it off.

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Many couples are not aware of their options and that surrogacy is a possibility.This is an issue that a lot of South Asian couples need to be more open about in sharing their experiences. Komal sat down for a detailed Q and A with Lassi with Lavina as she feels it is an extremely tough process for couples and the more support they get the better.

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Cocktails and Conversation with Chandrika Tandon was a small informal event organized by CHI’s junior board CH2 through which young professionals get started in helping the less privileged and creating a future for them through education.

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The first thing I spotted was rows and rows of footwear lined up outside the door, neatly stacked. I dutifully shed my sandals too, and going inside found an Indian-style behthak in progress with silk cushions scattered on the woven carpet.
Arts lovers, some with babies in tow, were already sitting cross-legged, facing the empty expanse of a large wooden floor. Musicians were tuning up their instruments, in anticipation.

The space is the Anamika Navatman Studios, an innovative organization for South Asian Arts and the production was Bhinna Pravaaha: Memories of a Performing Artist – Maya Kulkarni. This is a first undertaking to record and pay tribute to the noted artists of the past.

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Art

Narasimha, the mighty God Vishnu in his half man-half lion avatar, sits with his frontal arms relaxed in meditation, his two rear arms bearing the chakra disc and the conch shell, which is now missing. Around his tautly crossed legs one is amazed to find a yogapatta – or yoga strap!
For many contemporary practitioners of yoga who consider the yoga strap to be a part of their daily routine in a studio, this brilliantly executed Chola period bronze sculpture is an eye-opener. It shows that not only did yoga originate in India but goes all the way back to the Hindu gods.

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He breaks into people’s homes. And if that’s not outrageous enough, he even opens their refrigerators and checks out the contents! He makes middle-aged Indian men remember their youth – and young Indian kids conquer the world.

So who is Rahul Walia and what does he really do?

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Faith in a higher power infiltrates all of life in India. When things are tough or challenging, you see God is at every corner. There are countless ways spirituality merges into all aspects of life from small roadside shrines to massive temples; how nothing begins without the invocation to Ganesha, be it a new store, a new film or just a school examination.

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Art

The gallery at the Rubin Museum in Manhattan is hushed with silent screams, copious tears, with catastrophic events as they happened, with real life receding into the realm of the past. Witnesses from the present watch as Mahatma Gandhi lies fasting, shrinking into himself with concerned followers all around him; they watch hundreds huddled on the refugee trains from Pakistan to India; they are at Gandhi’s funeral with inconsolable masses flooding the landscape.

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“As creative people, I think we get tired of seeing the same thing over and over again. I’m a firm believer in the idea that excellence exists everywhere,’ says Antonio Ciongoli, director of Eidos, whose Spring 2017 menswear collection is inspired by Jaipur in India, and who used all Indian models in his NY collection.

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Ritesh Batra proves himself adept at distilling people’s lives, no matter what their background. He captures, as in his previous film ‘The Lunchbox’, the minutiae of ordinary lives superbly, the subtle touches, a glance, a gesture. He manages to convey the complexities of the novel in the short span of the movie

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Art

‘From Today I have No Future’ – A solo show by M. Pravat at Aicon Gallery in Manhattan is almost a blueprint for loss, life and living – it is about streetscapes and mindscapes, of memories and the past but also about re-imagination, and new layerings added to the scaffolding of what we remember.

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‘Growing Up Smith’ will surely hit a sweet spot – almost every Indian immigrant child has a memory of being the only brown-skinned student in the class, the one with the unpronounceable name and a lunch box from which emanated curry smells. ‘Growing Up Smith’ is a love poem to all those little kids who struggled to become ‘American’ and tried to straddle two cultures.

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