Aasif Mandvi is the quintessential immigrant – he belongs nowhere and everywhere. He has knocked around three continents – Asia, America and Europe – and appropriated a bit from each of his hometowns – Dhule in Gujarat, Brampton in the UK and Tampa and New York in the US. Being brown, being different, being Muslim, he’s had a tough time and so many of us will identify with his story because in many ways it is our story too.
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For all those who loved ‘The Best Exotic Marigold Hotel’, there’s more – ‘The Second Best Exotic Marigold Hotel! The joy of sequels can be akin to comfort food – getting involved in the lives of favorite characters once again and seeing how they are all doing since you saw them last. And this one even has that quintessential desi pleaser – a Big Fat Indian Wedding! Dev Patel and Tina Desai – and those powerhouses Judi Dench, Maggie Smith – and Richard Gere too!
The wonderful A. R. Rahman is coming to New York and you actually have the opportunity to meet him in the flesh, hear him speak and ask him a question or two!
The occasion is the world premiere of Jai Ho, a documentary about the iconic musician and composer. He’s won every award there is including an Oscar, a Grammy and a Golden Globe and has legions of fans around the world. So it’s about time his work was chronicled. Jai Ho, which is directed by Umesh Aggarwal, is premiering at the Museum of the Moving Image in New York on February 25.
How would you like to hobnob with the ever charismatic, ever friendly President Bill Clinton at a gathering of power people? Meet First Daughter Chelsea Clinton on board the battleship Intrepid? Perhaps rub shoulders with Indian-American business superstars Indra Nooyi of PepsiCo and Ajay Banga of Mastercard? Chat with superstars like Mira Nair, Shabana Azmi or Jhumpa Lahiri? Pose for a picture with Miss America?
If you’re on the gala fundraiser circuit in the US, you would have met them all – and helped raise millions of dollars too…
The images are searing. Images of children who’ve lost their innocence, their childhood in the harsh world of bonded labor. Their eyes stare back at you without emotion, their lips frozen in a non-smile. This is art but art painted with the colors of true life. Each image by British portraitist Claire Phillips is of a real child, a child slave rescued by Nobel Peace Prize winner Kailash Satyarthi’s organization, Bachpan Bachao Andolan. Meet the artist who journeyed to India to document the lives of these children.
Watch out, the wild Gangs of Wasseypur have come to New York and no one’s going to be spared! Anurag Kashyap’s stunning mafia odyssey will hook you, grab you and get you.
It is the very heart of darkness, a revenge saga where there’s no business like the don business and where firing a gun is as normal as brushing your teeth. Every random unknown on a scooter, armed with an AK47, is a killing machine.
As a visitor to Wasseypur, albeit in the theater, you need to have a high tolerance for bloodshed – after a while even your popcorn seems to be tinged with blood.
Happy Holidays everyone! Nothing says Christmas quite like Patience and Fortitude, the two wonderful marble lions outside the New York Public Library, with their holiday wreaths! I always love taking a break from work and stopping by to pat them and sit by their side for a while. Having seen them and the holiday crowds swirling around – it really does seem like Christmas!
Well, here’s a Xmas gift for you from the literary lions – the NYPL’s Holiday Book List Generator!
Vikas Khanna has scaled new gastronomic heights with his latest cookbook, ‘Return to the Rivers – Recipes and memories of the Himalayan River Valleys’, written with Andrew Blackmore-Dobbyn. This is a wonderful read not only for passionate cooks but also for those newbie chefs whose idea of cooking is heating up the remains of last night’s takeout. The stories will draw you into the kitchen…
Designer Manish Arora’s creations are the fashion equivalent of getting drenched in Holi colors – there’s exuberance, joy and sheer chutzpah. Colors which you thought would never, ever go together are locked in a raucous embrace in his gorgeous ensembles – and look perfect together. Ask about his outrageous color alliances, and he says with a twinkle in his eye: “It’s all very natural and normal. Yellow, pink, green and turquoise in one garment is very normal! For me, I don’t think twice – it just comes!”
His vibrant colors, striking fabrics and east-west silhouettes have won many fans around the world from celebrities like Lady Gaga, Rihanna, MIA and Kate Perry to all the fashionistas across continents.
“Cancer is a roller coaster, I have oft heard it been said. While you are comfortably navigating the undulating rails of an expected life, you suddenly find yourself dropping in a deafening speed that jerks and rattles you to your very core. The only difference is that unlike the carnival line you willingly join, waiting to board the ride, analyzing and preparing for its every loop and dip, this ride is murky, unexpected and you never really know how it will end until you reach the other side. All you can do is hang on and hope you’ll arrive safely back at the platform.” – Ayesha Hakki
“My first performance was at Birla auditorium at the age of 5,” recalls Poonam Kay. ” I had to stand on a folding chair and sing a duet with my mother’s male duet singer, Jethalal. The song was Yeh parda hata do, zara mukhda dikha do.” Many years later she is a recording artist, producer and TV personality. This year she released her new album ‘Nachle Ve’ with music composed by noted Bollywood film music director Anand Raj Anand. Yet she has another avatar, that of business entrepreneur.
Indian cinema is so much more than Bollywood, encompassing regional and independent cinema. What would you ask 28 of the top film directors if you had the chance? In ‘Not Just Bollywood- Indian Directors Speak’ Tula Goenka meets noted names from Shyam Benegal to Anurag Kashyap to Farhan Akhtar and gets the inside view on cinema and the film industry. So many personal stories abound in this book that it almost calls for its own big bag of popcorn to indulge in, as you read!
“However, one can’t help but wonder, who would I be, if I hadn’t immigrated? Who would I have met and would I have been destined for a good marriage, with a rich man, lots of partying, and lots of romance or would I have to struggle with my married life and constantly prove my worth to a man who doesn’t appear to care that much about me?
Would I have stayed married to a man who didn’t treat me that well because of my inner need to change and fix him, or would I have been able to find love in a healthy and satisfying way?” Guest Blog – The Single Desi
“But isn’t yoga an English word?”
This was the plaintive response one American had when she was told that yoga’s original birthplace was India. Indeed, this ancient practice from India has traveled so far and been so cut off from its moorings that many current day practitioners in the west seem to think it was always a part of American life.
Now comes a comprehensive art exhibition in America, the first of its kind, which through the language of visuals – paintings, sculptures and photographs – traces yoga’s roots back to India, back to Gods and Goddesses, back to spiritual and philosophical aspirations. It can be seen at the Cleveland Museum of Art from June 22 to September 7, 2014.
What is Diwali without family? A lot of immigrants who are far from home and family will identify with this Diwali video from Pepsi. Get ready for some emotional tears this festive season – after all, who doesn’t miss home food and hugs and Diwali memories?
We Indians love a good 3 hankie sob to feel really happy!
There is a maniac energy about ‘Haider’ – and a maniac desire among viewers to immerse themselves in this film. Yes, a film scribe I know turned up at this advance screening, bleary-eyed and disheveled, suitcase in tow, straight from the airport – rather than miss this first screening of Vishal Bhardwaj’s much awaited film!
It is a brutal, blood-stained Kashmir, etchings of a brooding, bereft landscape, a city of disappeared people. It shows that Shakespeare’s tale of deceit and murder, of treachery and lost ideals is a universal tale and relevant to all humans. Bhardwaj has successfully transported the ill-starred Danish Prince to Kashmir, and made it an indigenous, very authentic Indian tale.
As the last days of summer fade away I did one of my favorite things – buy a street lunch from a vendor’s truck in Herald Square in Manhattan – and eat it while sitting in the public outdoor spaces which have sprung up in busy city areas. It’s hard to believe how these small parks have spruced up life and how easy it is now to catch a few moments of respite from the hurly-burly of Sixth Avenue with its endless crowds, its endless shopping and its endless drama.
This festive season, welcome to Nina Paley’s animated film ‘Sita Sings the Blues’, yet another retelling of India’s great epic, Ramayana. Perhaps it would be more accurate to call it, as some have done, ‘Sitayana’ for it tells the tale from the perspective of Sita, not unlike the oral retellings through the ages by village women that made Sita the focus of the story. Only here the story is told through the jazz tradition of torch songs, of a lovely, smoky voiced lament more often heard in a dark New York lounge or bar, than in the rural outposts of India.
Lord Ganesha enters people’s lives in mysterious ways – sometimes it can even be just a chance encounter on a busy New York street! When photographer Shana Dressler passed a bookstore in Manhattan, she stopped in her tracks. In the window was a photography book which had on its cover a striking 20-foot high plaster of Paris statue of the elephant-headed God in the water, being splashed by a small army of men.
Anurag Kashyap. Aparna Sen. Buddhadeb Dasgupta. Gurinder Chadha. Nagesh Kuknoor. Nagraj Manjule. What if they all wandered into the New York night with megaphones and cameras and created their own tapestry of the city? While that did not happen, the combined star wattage of several talented directors certainly amped up the proceedings at the recent New York Indian Film Festival (NYIFF).
It was quite surreal to sit just seats away from noted directors and dissect the movies with them after the screenings. What you realized was that all these directors were passionate fans of cinema and as anxious to catch new, offbeat films as the next moviegoer!