Ekta Kapoor is a self-made millionaire and, as the head of Balaji Telefilms, she’s produced over 74 hugely popular television serials which are said to make up about 80 percent of television programming in India. Recently the Queen of TV Soaps was in town for the premiere of the gritty, fast moving ‘Shorr’ which is as real and as different as you can get from the sugar coated melodrama of the television serials steeped in tradition and changing social mores.
(Ekta seen here with actor Sendhil Ramamurthy)
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Mumbai is about grit, drama, passion – and the luck of the draw. The new movie ‘Noise/Shorr’ follows three very different lives during the frenzy of the Ganesh Chaturti Festival in the city – and finally these disparate stories come together in the gripping climax. ‘Shorr’ embodies the high energy the city is famous for and keeps you thoroughly engaged. And indeed Mumbai is a central character in the film, around which the various tales are interwoven.
Aasif Mandvi’s ‘Today’s Special’, which premiered at MIACC Film Festival last year, is now showing at the Tribeca Film Festival and getting a theatrical release on November 19. It is a fun and funny movie which gets you involved in the travails of Samir, a sous cook in New York, who has to find himself and his culinary soul. He is helped in the journey of self discovery by a mystical taxi driver who treats cooking like a beautiful, complex raga. (Naseeruddin Shah digs into this meaty role with relish – he’s utterly believable as the charismatic cabbie, a part of the magic of New York).
Bollywood fans will be intrigued to know that their favorite hunk John Abraham is part of ‘Damaru’, Isheeta Ganguly’s new album – in a very different way than they usually envisage him. Rather than a Bollywood hero, his is the thoughtful, strong voice behind the words of “Bande Mataram” and the Tagore poem, “Where the Mind is Without Fear”.
This festival brings an eclectic, surprising mix of South Asian based cinema from different parts of the world – and you never know which film will turn out to be the next big hit or major award-winner. After all, ‘Namesake’, ‘Water’ and even ‘Slumdog Millionaire’ first opened here, almost six months before their general release.
A decade ago it would have been unimaginable that the beat of bhangra drums would be heard reverberating from the hundred-year-old New York Public Library, the city’s Beaux Arts landmark building, until the late hours of the night.
Well, this too came to pass with the grand gala concluding the two-day International Sikh Film Festival where power people, artists and film-makers gathered to celebrate not only the cinema arts but the role of Sikhs in every sphere of life…
Imagine this: just one actor on stage. No set transformations, no costume changes, little or no action. Yet you sit for a full hour, totally engrossed, and are almost surprised to find that, though you’ve sat immobile in your seat, you’ve traveled into complex worlds, into the innermost reaches of mind and heart.
Few people could pull this off but the combination of actor Shabana Azmi, director Alyque Padamsee and playwright Girish Karnad makes ‘Broken Images’ a play to watch and relish.
In the world of cinema, there is usually a clear demarcation between the silver screen and the audience. If you are a fan you might count yourself lucky if you got a fleeting glimpse of Bollywood superstar Shah Rukh Khan on the red carpet or if he waved out to you as part of a crowd.
Yet for one Indian-American fan, real life blended into reel life, resulting in ‘Walkaway’, a movie which is being released on 26 screens across 18 cities in the US and echoes the life of young South Asians in New York City. First time filmmaker Shailja Gupta, very much a New York based South Asian herself, managed to pull this film off with help from none other than – Shah Rukh Khan!
“My father was a CEO, so I grew up in a family that gave me a very real sense of the positive impact that business can have upon society – from providing goods and services to creating jobs to building entire communities,” says Nitin Nohria, Dean of Harvard Business School.
“Women in South Asia are some of the most policed in the world. Their sexuality, their bodies, their desires are constantly monitored and judged through the morality of societies in South Asia,” says Myna Mukherjee, director of Engendered. “Fashion has an incredibly popular appeal yet is considered frivolous or superfluous – both its creative roots as well as its worth are constantly questioned.”
“You know what it is with me – I’m all heart. I can’t do anything else. Everything I do, for every decision I make – of course I use my brain – but my heart kind of takes over, and I can’t fight it. So music was just something I couldn’t give up.” – Jay Sean
“Outsourced” is a loaded word, particularly in today’s economic climate, so NBC’s new serial is creating quite a buzz. A comedy about a Mid-Western novelty company that outsources its call center to India, it’s a showcase for Indian-American talents.
So is this the big one? “Absolutely,” says Rizwan Manji. “Correct me if I’m wrong but I think it’s the first time that there’s been a television show on a major network that has a primarily Indian cast. So I think it’s a huge deal – it’s scary but it’s a big opportunity!”
Sometimes you buy a piece of contemporary Indian art and get a love story too in the bargain! Cinq Sens (Five Senses) by M. F. Husain is a powerful work originally gifted by the artist many, many years ago to film director Roberto Rossellini and his Bengali wife, Sonali Dasgupta.
It was a love match he helped bring about, for at that time Rossellini was married to the noted actress Ingrid Bergman and Sonali was the wife of a documentary film-maker in Calcutta. The painting is estimated at $500,-700,000 and is being auctioned by Sotheby’s, and here’s the story behind it.UPDATE – IT SOLD FOR $782,500
For all those hankering for details about the Chelsea Clinton wedding – at least one cat is out of the bag! We can say with definite authority that the linens at the wedding of the year were designed by Asema Ahmed’s Magnolias Linens.
Indeed, Middle Eastern royals, Hollywood stars and blue blooded society princesses have all turned to Asema when they need some high drama in their lives, be it a glittering wedding or a black tie gala.
He’s designed togs for Jay Sean, Fugitive, Mumzy Stranger, Juggy D, Ameet Chana, Bikram Singh and several other musicians and actors. Now he’s designing for the new film ‘London Town’ and soon the staff of Bloombury Hotel in London will be wearing uniforms styled by him.
Meet Saran Kohli, 24, a fashion designer from London who translates musicality into a fashion statement with an urban collection of menswear launching in New York.
Will students be heading to American universities to get their degrees as Ayurvedic doctors? Will patients seek out practitioners of this 5000 year old system of medicine from India when next they have health problems? And will Ayurveda form the basis for new health and beauty products, even of restaurant menus, in the US?
‘Hiding Divya’ is a provocative Indie film which takes on hard issues – and delivers. Mental illness is a taboo word in the Indian-American community – it’s about loss of face, ‘bad blood’ and failure – and is often kept under wraps. Filmmakers Rehana Mirza & Rohi Mirza Pandya get the dialogue going…
Above: Pooja Kumar and Madhur Jaffrey in ‘Hiding Divya’
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For once, the gregarious Shah Rukh Khan didn’t have a word to say. He stood as still as a statue – oh, what am I saying – this Shah Rukh Khan was a statue – a wax one at that! The famous tourist attraction Madame Tussauds in Times Square has now immortalized superstar King Khan in wax, and throngs of fans came to see him holding court in the Bollywood Zone.
Who would have thought Osama Bin Ladin could make you smile? The face that gives one nightmares becomes central to ‘Tere Bin Laden’, a good-natured, cheeky comedy which is almost a fable about America’s war on terror.
What would the real Osama say if he saw ‘Tere Bin Laden’? Says director Abhishek Sharma, “I think even he would be amused to see the way we have used Bin Laden tapes to show the madness in the post 9/11 world.”
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We are a simmering bundle of the past, the present and our hopes and anxieties about the future – what we remember and what we choose to forget becomes the world around us. Memories often trespass from locked rooms and forbidden places in the mind into the present. Some of them become the scaffolding for art, for the truths artists want to share through their work. Yet seen through the distancing telescope of memory, how true is truth?