Browsing: Cinema

Ekta Kapoor is a self-made millionaire and, as the head of Balaji Telefilms, she’s produced over 74 hugely popular television serials which are said to make up about 80 percent of television programming in India. Recently the Queen of TV Soaps was in town for the premiere of the gritty, fast moving ‘Shorr’ which is as real and as different as you can get from the sugar coated melodrama of the television serials steeped in tradition and changing social mores.
(Ekta seen here with actor Sendhil Ramamurthy)

Mumbai is about grit, drama, passion – and the luck of the draw. The new movie ‘Noise/Shorr’ follows three very different lives during the frenzy of the Ganesh Chaturti Festival in the city – and finally these disparate stories come together in the gripping climax. ‘Shorr’ embodies the high energy the city is famous for and keeps you thoroughly engaged. And indeed Mumbai is a central character in the film, around which the various tales are interwoven.

Aasif Mandvi’s ‘Today’s Special’, which premiered at MIACC Film Festival last year, is now showing at the Tribeca Film Festival and getting a theatrical release on November 19. It is a fun and funny movie which gets you involved in the travails of Samir, a sous cook in New York, who has to find himself and his culinary soul. He is helped in the journey of self discovery by a mystical taxi driver who treats cooking like a beautiful, complex raga. (Naseeruddin Shah digs into this meaty role with relish – he’s utterly believable as the charismatic cabbie, a part of the magic of New York).

This festival brings an eclectic, surprising mix of South Asian based cinema from different parts of the world – and you never know which film will turn out to be the next big hit or major award-winner. After all, ‘Namesake’, ‘Water’ and even ‘Slumdog Millionaire’ first opened here, almost six months before their general release.

A decade ago it would have been unimaginable that the beat of bhangra drums would be heard reverberating from the hundred-year-old New York Public Library, the city’s Beaux Arts landmark building, until the late hours of the night.
Well, this too came to pass with the grand gala concluding the two-day International Sikh Film Festival where power people, artists and film-makers gathered to celebrate not only the cinema arts but the role of Sikhs in every sphere of life…

In the world of cinema, there is usually a clear demarcation between the silver screen and the audience. If you are a fan you might count yourself lucky if you got a fleeting glimpse of Bollywood superstar Shah Rukh Khan on the red carpet or if he waved out to you as part of a crowd.

Yet for one Indian-American fan, real life blended into reel life, resulting in ‘Walkaway’, a movie which is being released on 26 screens across 18 cities in the US and echoes the life of young South Asians in New York City. First time filmmaker Shailja Gupta, very much a New York based South Asian herself, managed to pull this film off with help from none other than – Shah Rukh Khan!

“Outsourced” is a loaded word, particularly in today’s economic climate, so NBC’s new serial is creating quite a buzz. A comedy about a Mid-Western novelty company that outsources its call center to India, it’s a showcase for Indian-American talents.

So is this the big one? “Absolutely,” says Rizwan Manji. “Correct me if I’m wrong but I think it’s the first time that there’s been a television show on a major network that has a primarily Indian cast. So I think it’s a huge deal – it’s scary but it’s a big opportunity!”

‘Hiding Divya’ is a provocative Indie film which takes on hard issues – and delivers. Mental illness is a taboo word in the Indian-American community – it’s about loss of face, ‘bad blood’ and failure – and is often kept under wraps. Filmmakers Rehana Mirza & Rohi Mirza Pandya get the dialogue going…
Above: Pooja Kumar and Madhur Jaffrey in ‘Hiding Divya’
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For once, the gregarious Shah Rukh Khan didn’t have a word to say. He stood as still as a statue – oh, what am I saying – this Shah Rukh Khan was a statue – a wax one at that! The famous tourist attraction Madame Tussauds in Times Square has now immortalized superstar King Khan in wax, and throngs of fans came to see him holding court in the Bollywood Zone.

Who would have thought Osama Bin Ladin could make you smile? The face that gives one nightmares becomes central to ‘Tere Bin Laden’, a good-natured, cheeky comedy which is almost a fable about America’s war on terror.

What would the real Osama say if he saw ‘Tere Bin Laden’? Says director Abhishek Sharma, “I think even he would be amused to see the way we have used Bin Laden tapes to show the madness in the post 9/11 world.”

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It’s been chosen as a critic’s pick by The New York Times, and has received pretty glowing reviews in the west. Technically, I would agree, it’s a marvel but it didn’t get my heart – and with a film by Mani Ratnam, you expect things to happen to your heart.

The much anticipated ‘Raavan’ starring Abhishek Bachchan, Aishwarya Rai Bachchan and Vikram, the superstar from the south, and directed by the great director Mani Ratnam, who is idolized by the film industry as ‘Mani Sir’, should have been a terrific movie. Should have. Could have. But in the end, wasn’t.

Ravan, the villain in the Ramayana through the ages and in myriads of Ramlilas across the world, has now been co-opted by Bollywood. Soon ‘Raavan’ will be blazing in lights across the diaspora and the big blockbuster which bears his name is being directed by none less than the iconic Mani Ratnam with super stars Abhishek Bachchan and Aishwarya Rai. The music is by everyone’s favorite A R Rahman, lyrics by Gulzar and cinematography by another major name – Santosh Sivan. Now what could make for a better debut for Ravan?
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‘Kites’ Review
‘Kites’ is the face of the new global Indian film industry – fast-paced, fast-moving and completely at home on the world stage. From beginning to end, it has the look and feel of a big international film, and moves flawlessly and boldly, from glittering Vegas casinos to raw desert terrain to fabulous mansions. But where is the soul?

They may live in American cities, go to American schools but Bollywood runs in their blood. We’re talking of young Indian-Americans, thousands and thousands of them, scattered across American towns and cities. Weaned on Bollywood movies on DVD since babyhood, they learn the Shah Rukh moves, the Madhuri moves, the Shahid moves, almost by osmosis in family living rooms.
Later many of them learn dance, classical and Bollywood, at the scores of Indian dance schools that have sprouted up in towns and cities. They dance at family events, birthdays and weddings, as naturally as if they were in a Bollywood movie and it was written into the script of life.

Are Hollywood movies going to be a cash cow for Indian-American producers? Generally you have NRI filmmakers making movies with Indian themes or Indian actors but Naveen Chathapuram of Chicago has just ventured into mainstream territory, by producing ‘CA$H’, a psychological thriller with Hollywood stars Sean Bean (Lord of the Rings), Chris Hemsworth (Thor, Star Trek) and Victoria Profeta (Push, The Drew Carey Show). The film is written and directed by Stephen Milburn Anderson (South Central)

All aspiring dancers probably fantasize about one day starring in a Bollywood movie, in a big musical number dancing with their favorite movie idol. Well, for Sapna Rohra and Shivani Thakkar, both from Los Angeles, this became a reality when they won Verizon’s Bollypop contest. The grand prize? Round trip tickets to India and a chance to dance with Shahid Kapoor in the Bollywood movie, ‘Chance Pe Dance.’ What’s it like to move from the audience to the big screen?

For all those who’ve been following the real life drama of the release of ‘My Name is Khan’ it will be a relief to know that there’s a happy ending to this blockbuster. After more cliffhangers than the Himalayas, the film finally got to open in theaters across Mumbai and was seen by thousands of people. ‘My Name is Khan’ is an intriguing example of how sometimes reel and real life intersect in this major metropolis.

A movie about racial profiling made by a Muslim man, albeit a Bollywood superhero, itself became a vehicle for racial profiling by the Shiv Sena which sent its army of believers out to threaten and ransack. Well, the people of Mumbai came through, overwhelmingly showing that no one group has the monopoly to speak for the millions in this big, cosmopolitan city.

What’s the buzz right now? Shah Rukh Khan, Kajol and their much anticipated movie ‘My Name is Khan’ is what everyone’s talking about.

Well, the buzz is about the film – but also about what could almost become a drama in its own right – the Shiv Sena’s clumsy attempt to muzzle free speech. By now everyone knows about the Sena’s threat to sabotage ‘My Name is Khan’ in order to punish Shah Rukh Khan for his comment about wanting to include Pakistani players in the IPL. The Sena has threatened distributors and theater owners in Mumbai for having the temerity to show the movie, and by association, movie-goers who would dare to watch the film.

Get your shoes on, grab your bags – we are going to meet Shah Rukh Khan and Kajol at a press conference at the plush offices of News Corp, the parent company of Fox Searchlight which is distributing the much anticipated Karan Johar blockbuster ‘My Name is Khan’.It’s a cold day in Manhattan, so let’s walk a little faster to get out of the chilly temperature. In the lobby it’s a long, long line of press folks, photographers and TV anchors all waiting to be summoned for the darshan. WATCH THE VIDEO!

All you Bollywood fans, do you ever wonder how the Indian film industry got started almost a hundred years ago? Forget superstars, overseas locations, musicals and spicy dance item numbers – there wasn’t even sound! It’s hard to believe women’s roles were played by men since even prostitutes considered acting in the cinema too demeaning a task.
‘Harishchandrachi Factory’ is a wonderful little film – only 95 minutes compared to the 3 hour Bollywood blockbusters – and it is a journey into the making of India’s first film by Dhundiraj Phalke, who is acknowledged as the father of the Indian film industry.