Browsing: Cinema

You probably will never meet two more unmatched people than the lead pair in ‘Learning to Drive’: Wendy (Patricia Clarkson), a frenetic Manhattan book critic whose relationships are falling apart and Darwan (Ben Kingsley), a gentle Sikh taxi driver and part-time driving instructor.

Both are from New York City but inhabit worlds apart.

Their lives intersect when Wendy, devastated by the fact that her husband Ted (Jake Weber) has left her for a younger woman, decides to take driving lessons to regain her independence. Darwan, who is about to be entering into an arranged marriage, sight unseen with Jasleen ( Sarita Choudhury) a woman from his village in India, has his own immigrant upheavals in a new world.

At times you’re not even sure you’re watching a movie – it seems like a very extended, very elaborate dance contest on TV and goes on and on. If you’re with a group of teenybopper friends and love hip-hop dance moves, have access to a large size Coke and a huge tub of popcorn, you’ll have a pretty good time.

What would be a filmiholic’s idea of heaven? A week full of back-to-back viewings of the most intriguing films, a mixed bag of drama, suspense, comedy and chills – by some of the most noted directors in Indian cinema. Think Vishal Bharadwaj, Shyam Benegal, Mani Ratnam, Aparna Sen, Hansal Mehta and Shonali Bose. Then there is the joy of seeing the work of so many regional filmmakers as well as getting to know so many new directors. Lots of films by Indian-American filmmakers too, including ‘Miss India America’ and ‘Meet the Patels’.

All this is happening at the upcoming New York Indian Film Festival with over 30 films, 30 alternate worlds to get lost in. You’ll find love, loss, laughter – and life…

‘India’s Daughter’ is banned in India but Jyoti Singh’s story cannot be put under wraps, it cannot be muzzled. It is all over social media, and it needs to be seen and seen by a lot of people, especially the gatekeepers of patriarchy.

What happened in Delhi on 16 December 2012 has come back to haunt people, and to see that justice gets done. It is said that a woman is raped in India every 20 minutes and the time is not for complacency. To those who say the documentary ‘India’s Daughter’ should be banned, there is only one thing to say – watch it and then decide.

Sometimes there’s a film so emotionally wrenching and yet so life-affirming that you just have to see it. Such a film is Shonali Bose’s ‘Margarita with a straw’ which opens the New York Indian Film Festival. In this unusual love story, a middle-class Indian teenager with cerebral palsy longs to experience that most basic of human desires – a love relationship. Sex and the disabled are hardly ever talked of in the same breath, and this brave film takes on this taboo topic

Life has many pressing questions but for Bollywood fans it has to be – which is the greatest Bollywood film of all time? It’s a highly subjective question and there can be no one clear answer but wonder of wonders, 30 Bollywood gurus have come together to agree upon a clear winner! It is ‘Sholay’ – Ramesh Sippy’s action thriller from 1975.
Check out the 100 greatest Bollywood films, according to Time Out.

For all those who loved ‘The Best Exotic Marigold Hotel’, there’s more – ‘The Second Best Exotic Marigold Hotel! The joy of sequels can be akin to comfort food – getting involved in the lives of favorite characters once again and seeing how they are all doing since you saw them last. And this one even has that quintessential desi pleaser – a Big Fat Indian Wedding! Dev Patel and Tina Desai – and those powerhouses Judi Dench, Maggie Smith – and Richard Gere too!

The wonderful A. R. Rahman is coming to New York and you actually have the opportunity to meet him in the flesh, hear him speak and ask him a question or two!

The occasion is the world premiere of Jai Ho, a documentary about the iconic musician and composer. He’s won every award there is including an Oscar, a Grammy and a Golden Globe and has legions of fans around the world. So it’s about time his work was chronicled. Jai Ho, which is directed by Umesh Aggarwal, is premiering at the Museum of the Moving Image in New York on February 25.

Watch out, the wild Gangs of Wasseypur have come to New York and no one’s going to be spared! Anurag Kashyap’s stunning mafia odyssey will hook you, grab you and get you.
It is the very heart of darkness, a revenge saga where there’s no business like the don business and where firing a gun is as normal as brushing your teeth. Every random unknown on a scooter, armed with an AK47, is a killing machine.
As a visitor to Wasseypur, albeit in the theater, you need to have a high tolerance for bloodshed – after a while even your popcorn seems to be tinged with blood.

Indian cinema is so much more than Bollywood, encompassing regional and independent cinema. What would you ask 28 of the top film directors if you had the chance? In ‘Not Just Bollywood- Indian Directors Speak’ Tula Goenka meets noted names from Shyam Benegal to Anurag Kashyap to Farhan Akhtar and gets the inside view on cinema and the film industry. So many personal stories abound in this book that it almost calls for its own big bag of popcorn to indulge in, as you read!

There is a maniac energy about ‘Haider’ – and a maniac desire among viewers to immerse themselves in this film. Yes, a film scribe I know turned up at this advance screening, bleary-eyed and disheveled, suitcase in tow, straight from the airport – rather than miss this first screening of Vishal Bhardwaj’s much awaited film!

It is a brutal, blood-stained Kashmir, etchings of a brooding, bereft landscape, a city of disappeared people. It shows that Shakespeare’s tale of deceit and murder, of treachery and lost ideals is a universal tale and relevant to all humans. Bhardwaj has successfully transported the ill-starred Danish Prince to Kashmir, and made it an indigenous, very authentic Indian tale.

This festive season, welcome to Nina Paley’s animated film ‘Sita Sings the Blues’, yet another retelling of India’s great epic, Ramayana. Perhaps it would be more accurate to call it, as some have done, ‘Sitayana’ for it tells the tale from the perspective of Sita, not unlike the oral retellings through the ages by village women that made Sita the focus of the story. Only here the story is told through the jazz tradition of torch songs, of a lovely, smoky voiced lament more often heard in a dark New York lounge or bar, than in the rural outposts of India.

Anurag Kashyap. Aparna Sen. Buddhadeb Dasgupta. Gurinder Chadha. Nagesh Kuknoor. Nagraj Manjule. What if they all wandered into the New York night with megaphones and cameras and created their own tapestry of the city? While that did not happen, the combined star wattage of several talented directors certainly amped up the proceedings at the recent New York Indian Film Festival (NYIFF).

It was quite surreal to sit just seats away from noted directors and dissect the movies with them after the screenings. What you realized was that all these directors were passionate fans of cinema and as anxious to catch new, offbeat films as the next moviegoer!

Bollywood superstars hardly ever play second fiddle to anyone – be it heroines or villains. They dance with beauties who are often just icing on the cake and they bash carloads of villains. Yet now we have Bollywood biggie Akshay Kumar deferring to – a dog!

In ‘Entertainment’, a fun comedy being released this week, it’s a dog’s life for the swashbuckling Akshay as he competes with man’s best friend for his family inheritance – and what can one say but – may the best dog win! Yes, this dog does everything – even get married! And the Big Fat Indian Wedding is quite hilarious. An interview with Akshay Kumar on everything from dogs to dreams.

She is Bollywood’s Sweetheart for everyone in the cinema halls, from front benchers to the elite. But don’t let those dimples fool you – Preity Zinta is one of the smartest women in Bollywood who takes on tough challenges, is fearlessly outspoken and is the proud co-owner of the IPL Kings XI Punjab, along with ex-boy friend industrialist Ness Wadia.

The two are very much in the news, due to the FIR lodged by Preity Zinta, accusing Ness Wadia of molestation. The media is agog with all the details. While all that works itself out, I thought I’d share a chat I had with her some years back.

The fabulous Helen Mirren, the quite wonderful Om Puri – loads of French and Indian food – and a love story with music by AR Rahman. Add to it Steven Spielberg and Oprah Winfrey! Perfect ingredients for an unexpected romance set in France.It is based on the critically acclaimed book by Richard C. Morais which has been a best seller in 29 countries.

Can a film be just over six minutes – and still get you emotionally enmeshed? Our Bollywood movies are usually three hour plus juggernauts of drama, romance and comedy but this little film – over in the blink of an eye – shows that length has nothing to do with the impact of a film. Especially if it has a volatile mix of India, aspirations and the love of a father and son – and is directed by that ace director, Nagesh Kukunoor.
Here’s ‘Sapnon Ki Udaan’ – a father and son love story.

You’ve heard of Alice in Wonderland – now meet Gloria in Bollywood Wonderland – IIFA. Gloria Tadjalli (nee Ramchandani) is a diehard Bollywood fan who will go anywhere for a Bollywood event. She trekked out from Georgia to give us a fan’s view of the glittering IIFA awards in Tampa Bay, Florida.

While media will give you the reporters’ viewpoint, here we bring you the view of the people who really matter – fans! Without them, where would Indian cinema be? And while others get the viewpoint of the big celebs on the green carpet, here we get the view from the other side, the enthusiastic crowds behind barricades and waiting patiently on line for a view of the superstars. Here’s star Vivek Oberoi surrounded by fans, in a selfie clicked by him.

Dekh, cinema, dekh! In the old days, people in small towns and villages in India would wait anxiously for the traveling cinema to come to them with surprise offerings and entertainment.
In a way, the annual New York Indian Film Festival (NYIFF) does the same thing for New Yorkers who are a savvy lot. Yet the festival brings unexpected cinematic treats of found gems, lost stories and glimpses into lives lived.

Imran Khan comes from a famous film family – he is the grandson of director-producer Nasir Husain, creator of some of the most rocking musicals of the 70’s. He is also the nephew of actor Aamir Khan and director-producer Mansoor Khan. He acted as a child star in several movies, disappeared to America, and then re-emerged as a romantic hero in Jaane Tu, Ya Jaane Na which won him the Filmfare Award for the Best Male Debut.
Bollywood loves his romantic ‘chocolate hero’ image in films but chatting with him, you realize he’s not just about style and stardom – but about substance. Here he muses about life, family, love and social activism.