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    You are at:Home»Features»Art»A Chittaprosad Retrospective: Searing Remains

    A Chittaprosad Retrospective: Searing Remains

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    By Lavina Melwani on March 17, 2018 Art
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    Bashana Kaibarta , E. R. Hospital - 1944 by Chittaprosad
    Bashana Kaibarta , E. R. Hospital – 1944 by Chittaprosad

    Lassi with Lavina Guide to Upcoming Events –

    A Chittaprosad Retrospective

     

    [dropcap]A[/dropcap]rt is often about aesthetics and beauty but in Chittaprosad’s work it was about the ugliness of life and the horrors of the Bengal famine. This retrospective of Chittaprosad’s work is a not to be missed event for it illuminates the life of a little known artist whose searing body of work is being seen for the first time in New York.

    Chittaprosad’s political art and prints make for difficult viewing but they remind us about the brutal genocide caused by a man-made famine by the British masters. Chittaprosad’s searing black and white sketches document the inhumanity and the sheer suffering of multitudes. His art, which drew inspiration from village sculptors and puppeteers, was published in a book, ‘Hungry Bengal.’ This firsthand account was, however,  seized and burnt by the British rulers.  Now DAG Gallery has created a facsimile edition of that lost edition.

    Untitled by Chittaprosad at DAG
    Untitled by Chittaprosad

    At the same time DAG has opened up a dialogue on political art. While the retrospective can be seen from March 17 – June 15,  a one-day convention brings many different thinkers together to mull about politics and art.

     

     

    “Powerful  and  emotive,  his  art  of  caricature  emerged  as  a  statement  in favour of   the oppressed masses and as a  denunciation  of   the  ruling  class.  As a  self-conscious,  reflective  testimony, the  drawings  and  caricatures  of   this period  were  a  forceful  outcry  against the  tyranny  of   domination  and  an indictment of  prevailing conditions. Underlying  the  biting  humour  was a  compassionate  humanism  and  his images  were  essentially  an  appeal  on behalf   of   the  labouring  poor  and  the marginalised.”

     

    Untitled by Chittaprosad
    Untitled by Chittaprosad at DAG

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    Lavina Melwani
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    Lavina Melwani is a New York-based journalist who writes for several international publications. Twitter@lavinamelwani & @lassiwithlavina Sign up for the free newsletter to get your dose of Lassi!

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