Film journalist Aseem Chhabra is a great believer in the power of cinema to heal and rejuvenate. Instead of an apple a day, his mantra is a film a day and he often watches 365 films in a year. The veteran of several film festivals, he has traveled to many across the globe, and has captained the ship of New York Indian Film Festival
Browsing: Satyajit Ray
How can it be summer without the New York Indian Film Festival? Through ups and downs, its cinematic wisdom has seen us through good times and bad, and showed us the better sides of our nature. The good news is that NYIFF – one of the pure delights of NY- is back
Have you ever met Apu – Satyajit Ray’s Apu? If not, this is your chance to finally make his acquaintance – and he’s looking better than ever before. As film fans know, ‘The Apu Trilogy’ is master filmmaker Satyajit Ray’s seminal work, a story that is bound to touch whoever sees it, because it is our story. We may never have stepped into a Bengali village or lived in that simple yet hard world a century ago but this tale of family, struggle and aspirations speaks to something so universal, so human that it affects us all.
In the 60’s this bitter-sweet story about changing times and a changing India became a screenplay by Ruth Prawer Jhabvala and was made into ‘Shakespearewallah’ – a winsome little gem of a film by the intrepid team of James Ivory and Ismail Merchant – just their second venture after ‘The Householder’.
Dhukia, a poor untouchable, journeys to the home of Ghashiram, the village brahmin, to request him to set an auspicious date for his daughter’s wedding. He is made to wait, told to clean the stables and chop wood. The hapless man, burdened by caste and class, malnourished and starving, labors in silence – finally dying in the scorching sun. For Ghashiram, the death is an inconvenience; the dilemma is how to get rid of the corpse of an untouchable man…
“Deliverance’ (Satgadi) is a powerful short film by Satyajit Ray based on a short story by Munshi Premchand. This stark film underlines the brutishness of life, the inhumanity of man to man, and is one you won’t forget in a hurry.
New Yorkers got to see this film in the recent film series – Long Shadows: the Late Work of Satyajit Ray, at the Walter Reade Theater, organized by the Film Society of Lincoln Center.
Think of home, and for many Indian immigrants it evokes memories of cool interiors, a whirring fan and the street sounds floating from the outside. Inside was a cool, domestic heaven, outside was the chaos, the traffic, the ugly realities of the work world, of political upheaval, of price cuts. It was always about inside and outside, two very different worlds. And now in our new global world it is about India interacting with a larger, more complex world at its doorstep.